「새벽 Aube」에 나타난 랭보의 “시적 깨어남 désillusion poétique”

Abstract

This study aims to examine Rimbaud's poetics in the poem Aube of the Illuminations : primarily to illuminate the various fields of meaning of the poem from an erotic, mythical and poetical. That could lead us to the poet's ultimate goal, either literary or existential The quest of his new relationship with nature, in Rimbaud, begins with the highly voluntary activities, decided to change and also by the refusal of belief, and that of the conventional things already existing real or poetic. In this sense, he wanted to change or repudiate his poetic world to create a new poetic world by introducing the night and day - symbols of light and dark. For this purpose, Rimbaud insisted on the break with the past, the destruction of achievements, including the new resurrection. In this sense, the reformist attitude of the poet is to coordinate the elements of nature to achieve a renewed world, thereby god or magician or creator's attitude. This is the first exchange and a radical renewal of the old poetic, and the quest for new poetic world of the unknown and the infinite, which appear progressively by light of the dawn, as if pale light of dawn revealed a new world chasing the shadows of the night. Thus, Rimbaud uses in his poem, words and images related to myth, fairy tale and eroticism, with destructive senses or creative senses. Rimbaud has shown gradually but clearly the beginning and the development, a constant change and transformation to highlight the emerging of the new world just as the dawn. This poem presents the characteristics of Rimbaud's poetic world and thus it could be seen as the symbolic poem of his poetics, despite his eventual fall as the end of the poem suggests. Because, for Rimbaud, it is just another changed universe, which represents a poetic adieu to the his literary past and opens the new world of literature.