염세주의와의 새로운 관계 방식으로서 니체의 아티케 비극 분석 - 강함의 염세주의와 약함의 염세주의

Abstract

The social distancing and non-face-to-face survival conditions accelerated by the sudden emergence of COVID-19 on Earth are getting worse. We are more desperate than ever to reflect on how we will relate to this harsh reality. This can be reinterpreted as a question of the relationship between 21st century life and pessimism. Following the karaoke craze that has deeply permeated our daily lives, we need to pay attention to the impact of our desire for music on hip-hop and trot phenomena. What power does music have in our lives? How does our life relate to music? In particular, the question of the correlation between art and pessimism, including music, will cast important implications for restoring the inherent vitality of humans by diagnosing and healing the causes of our harsh lives. In order to analyze the new identity of the tragedy that Nietzsche noticed as an artistic relationship to the harsh pessimistic reality of extinction, the debater analyzes ‘Attic tragedy(Attische Tragödie)’ as the type of tragedy noted in his work, “The Birth of Tragedy.” The artist's identity corresponding to this type of Attic tragedy is combined with intoxication- and dreamartist(Rausch- und Traumkünstler), who is presented as an artist distinct from the artist of the Dionysian intoxication and the artist of the Apollonian dream. In this process, the writer captures the various types of arts of Nietzsche and the way they relate to pessimism. In order to identify the new relationship between Attic tragedy and pessimism, which is the center of the discussion, the double relationship between Greek and pessimism in Chapter 2, the pessimistic identity of Attic tragedy in Chapter 3, the relationship between Attic tragedy in Chapter 4, and the birth and death of Attic tragedy in Chapter 5. For this analysis, the writer notes the differences and commonalities between the types of tragedies in “The Attempt of Self-Criticism” in 1886, and the types of tragedies in the text which have been maintained since the first edition of 1872. For this analysis, the thesis notes the differences and commonalities between the types of tragedies in the “The Attempt of Self- Criticism” added by Nietzsche in 1886 and the types of tragedies in the text of the “Birth of Tragedy”, which have been maintained since the first edition in 1872. Thus, this study attempts to assess the pessimism of human life as being and the present meaning of the artist in the Attic tragedy, which is the way humans face it. Furthermore, this study will provide a theoretical basis for a follow-up study on the relationship between the Attic tragedy and hip-hop, based on the analysis of the Attic tragedy on the new relationship between tragedy and pessimism.