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복합서사의 미학: 윌리엄 포크너의 『팔월의 빛』

Faulkner's Aesthetics of Multiple Narratives in Light in August

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This paper aims to examine the narratives of Joe, Hightower and Lena. and identify the aesthetics of multiple narratives. Faulkner’s Light in August seems to be a novel that shows how unified vision of life is created through a collaborative effort of narrators as modernists often do. However, what Faulkner shows us in the novel is not to synthesize three narratives but to create multidimensional themes simultaneously through aesthetics of multiple narratives. Joe’s urgent problem lies in the loss of identity. The problem of whether he is a white or black is the crisis of his identity. He defies community order to find out his identity by means of violence. His violence drives him to tragic death. Hightower lives a stopped life. He is obsessed with the idea of the grandfather. He has no real concern or interest other than being present at the window of his study, hearing the horses of troop galloping through the town. Lena lives a moving life. She is a woman of light who is contrast with Joe. Actually, she is like something moving forever as life goes on. Finally, we can say that Faulkner simultaneously creates three human stories through multiple narratives.

Abstract

This paper aims to examine the narratives of Joe, Hightower and Lena. and identify the aesthetics of multiple narratives. Faulkner’s Light in August seems to be a novel that shows how unified vision of life is created through a collaborative effort of narrators as modernists often do. However, what Faulkner shows us in the novel is not to synthesize three narratives but to create multidimensional themes simultaneously through aesthetics of multiple narratives. Joe’s urgent problem lies in the loss of identity. The problem of whether he is a white or black is the crisis of his identity. He defies community order to find out his identity by means of violence. His violence drives him to tragic death. Hightower lives a stopped life. He is obsessed with the idea of the grandfather. He has no real concern or interest other than being present at the window of his study, hearing the horses of troop galloping through the town. Lena lives a moving life. She is a woman of light who is contrast with Joe. Actually, she is like something moving forever as life goes on. Finally, we can say that Faulkner simultaneously creates three human stories through multiple narratives.

참고문헌 (22)

  1. Brooks, Cleanth, "William Faulkner: First Encounters" (1983), Yale UP
  2. Benson, Carl, "Thematic Design in Light in August", pp.251~268 (1973), Michigan UP
  3. Boker, Pamela A., "How can he so not hungry?: Fetishism, Anorexia and the Disavowal of the Cultural I in Light in August", The Faulkner Journal, 7, pp.175~191 (1991)
  4. Chase, Richard, "The American Novel and Its Tradition" (1957), The Johns Hopkins UP
  5. Clarke, Deborah, "Gender, Race, Language in Light in August", American Literature, 61, pp.398~413 (1989)
  6. Davis, T.M., "Faulkner’s Negro: Art and the Southern Context" (1983), Louisiana State UP
  7. Faulkner, William, "Light in August" (1980), Penguin Books
  8. Fowler, Doreen, "Faulkner and Women" (1986), UP of Mississippi
  9. Gwynn, Frederic L., "Faulkner in the University" (1959), UP of Virginia
  10. Howe, Irving, "William Faulkner: A Critical Study" (1975), U of Chicago P
  11. Hirshleifer, "As Whirlwinds in the South: An Analysis of Light in August” Faulkner Four Decades of Criticism. Ed. Wagner", pp.245~262 (1973), Michigan State UP
  12. Ladd, Barbara, "Nationalism and the Color Line in George W Cable, Mark Twain, and William Faulkner" (1996), Louisiana State UP
  13. Longly Jr, "The Tragic Mask" (1963), North Carolina UP
  14. Millgate, Michael, "The Achievement of William Faulkner" (1978), U of Nebraska P
  15. Minter, David, "William Faulkner: His Life and Work" (1980), Johns Hopkins UP
  16. Orr, John, "The Making of the Twentieth Century Novel" (1987), Macmillan P
  17. Page, Sally R., "Faulkner’s Sense of the Sacred”. Faulkner: Fifty Years After the Marble Faun", pp.105~126 (1978), Alabama UP
  18. Page, Sally R., "Faulkner’s Sense of the Sacred. Faulkner: Fifty Years After the Marble Faun", pp.105~126 (1978), Alabama UP
  19. Putzel, Max, "Genius of Place" (1985), Louisiana State UP
  20. Ruppersburg, Hugh. M., "Voice and Eyes in Faulkner’s Fiction" (1983), U of George P
  21. Sundquist, Eric, "Faulkner: The House Divided" (1983), Johns Hopkins UP
  22. Volpe, Edward, "A Reader’s Guide to William Faulkner" (1978), Noonday P

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