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『팔월의 빛』: 시련 중의 주체와 무법의 윤리

Light in August: Subject on Trial and Outlaw Ethics

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The purpose of this paper is to explore a subject on trial and outlaw ethics in William Faulkner’s Light in August in terms of Julia Kristeva’s theory of the subject. In Light in August Faulkner depicts the ultimate abomination of otherness, which shows the intersection of gender and race within Southern white myths. According to Kristeva the subject and society have been founded on the abject’s separation. Joe Christmas’s identity which characterizes this mechanism of abjection as a subject on trial illuminates the paradoxical state of otherness within his subjectivity against gender and race. His extreme exclusion of abject, heterogeneity but himself, draws ruin upon himself in the end. Faulkner suggests Lena Grove, a heavily pregnant woman, as an outlaw ethics for a subject on trial. The final aim of the maternal theory Kristeva emphasizes is the maternal love which is the attitude to alterity. That is, mother loves the other in herself and then she can embrace the return of the repressed other. In Conclusion, Joe Christmas’ tragedy comes from the rejection of his object. Therefore, My study suggests he should have developed his identity constantly by emptying and attacking inner conflicts as he met the abject.

Abstract

The purpose of this paper is to explore a subject on trial and outlaw ethics in William Faulkner’s Light in August in terms of Julia Kristeva’s theory of the subject. In Light in August Faulkner depicts the ultimate abomination of otherness, which shows the intersection of gender and race within Southern white myths. According to Kristeva the subject and society have been founded on the abject’s separation. Joe Christmas’s identity which characterizes this mechanism of abjection as a subject on trial illuminates the paradoxical state of otherness within his subjectivity against gender and race. His extreme exclusion of abject, heterogeneity but himself, draws ruin upon himself in the end. Faulkner suggests Lena Grove, a heavily pregnant woman, as an outlaw ethics for a subject on trial. The final aim of the maternal theory Kristeva emphasizes is the maternal love which is the attitude to alterity. That is, mother loves the other in herself and then she can embrace the return of the repressed other. In Conclusion, Joe Christmas’ tragedy comes from the rejection of his object. Therefore, My study suggests he should have developed his identity constantly by emptying and attacking inner conflicts as he met the abject.

참고문헌 (16)

  1. Berland, Alwyn, "Light in August: The Calvinism of William Faulkner", Modern Fiction Studies, 8(2), pp.159~170 (1962)
  2. Bleikasten, André, "New Essays on Light in August", pp.81~102 (1995), Cambridge UP
  3. Clarke, Deborah, "Robbing the Mother: Women in Faulkner" (1994), Mississippi UP
  4. Faulkner, William, "Light in August" (1990), Vintage
  5. Faulkner, William, "Faulkner in the University: Class Conferences as the University of Virginia, 1957-1958" (1959), Random House
  6. Fowler, Doreen, "Faulkner and Women", pp.144~161 (1986), Mississippi UP
  7. Jenkins, Lee, "Faulkner and Black-White Relations: A Psychoanalytic Approach" (1981), Columbia UP
  8. Kristeva, Julia, "My Memory’s Hyperbole", New York Literary Forum, 1, pp.261~276 (1984)
  9. Kristeva, Julia, "Powers of Horror" (1980), Columbia UP
  10. Kristeva, Julia, "Revolution in Poetic Language" (1984), Columbia UP
  11. Lalonde, Christopher A, "William Faulkner and the Rite of Passage" (1996), Mercer UP
  12. Oliver, Kelly, "Reading Kristeva: Unraveling the Double-bind" (1993), Indiana UP
  13. Roberts, Diane, "Faulkner and Southern Womanhood" (1994), Georgia UP
  14. Storhoff, Gary, "Faulkner’s Family Crucible: Quentin’s Dilemma", Mississippi Quarterly, 51(3), pp.465~482 (1998)
  15. Weinstein, Philip. M, "The Cambridge Companion to William Faulkner" (1995), Cambridge UP
  16. Widmaier, Beth, "Black Female Absence and the Construction of White Womanhood in Faulkner’s Light in August", Faulkner Journal, 16(3), pp.23~40 (2001)

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