어슐러 K. 르 귄의 『세상을 지칭하는 말은 숲』에 드러난 생태문제와 탈식민지적 저항과 전복
Ecological Issues, and Decolonial Resistance and Subversion in Ursula K. Le Guin's The Word for World Is Forest
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The Word for World Is Forest allows us to comprehensively examine contemporary issues humanity faces-such as those related to the environment, ecology, capitalism, and colonialism-beyond the 1960s, when Ursula K. Le Guin motivated herself to work on the novel. In other words, while the novel reflects the era of the Vietnam War, it transcends that period to address the problems we face today, thereby achieving universality. This study conducts an in-depth analysis of Athsheans' resistance to the harms caused by capitalism and the violence of imperialism in The Word for World Is Forest. In particular, this paper incorporates Jason W. Moore's theory of capitalism and Frantz Fanon's critique of colonialism. First, based on Moore's theory, it explores the relationship between capitalism and ecological destruction as depicted in the work. Then, using Fanon's theory, it examines how colonial domination grounded in capitalist imperialism is portrayed, how the colonized resist this domination in decolonial ways, and how decolonial subversion unfolds in The Word for World Is Forest.
Abstract
The Word for World Is Forest allows us to comprehensively examine contemporary issues humanity faces-such as those related to the environment, ecology, capitalism, and colonialism-beyond the 1960s, when Ursula K. Le Guin motivated herself to work on the novel. In other words, while the novel reflects the era of the Vietnam War, it transcends that period to address the problems we face today, thereby achieving universality. This study conducts an in-depth analysis of Athsheans' resistance to the harms caused by capitalism and the violence of imperialism in The Word for World Is Forest. In particular, this paper incorporates Jason W. Moore's theory of capitalism and Frantz Fanon's critique of colonialism. First, based on Moore's theory, it explores the relationship between capitalism and ecological destruction as depicted in the work. Then, using Fanon's theory, it examines how colonial domination grounded in capitalist imperialism is portrayed, how the colonized resist this domination in decolonial ways, and how decolonial subversion unfolds in The Word for World Is Forest.
참고문헌 (15)
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- 우드, 수잔, "밤의 언어", pp.361~375 (2019), 서커스
- 카프라, 프리초프, "생명의 그물" (2022), 범양사
- 파농, 프란츠, "대지의 저주받은 사람들" (2024), 그린비
- Barbour, Douglas, "Ursula K. Le Guin", pp.23~33 (1986), Chelsea House
- Barnhill, David Landis, "Spirituality and Resistance : Ursula Le Guin's The Word for the World Is Forest and the Film Avatar", Journal for the Study of Religion, Nature, and Culture, 4(4), pp.478~498 (2010)
- Clifford, James, "Response to Orin Starn: “Here Come the Anthros (Again): The Strange Marriage of Anthropology and Native America.”", Cultural Anthropology, 26(2), pp.218~224 (2011)
- Cummins, Elizabeth, "Understanding Ursula K. Le Guin" (1993), U of South Carolina P
- Debita, Gabriela, "The Otherworlds of the Mind: Loci of Resistance in Ursula K. Le Guin's The World for World Is Forest and Voices (Book II of the Annals of the Western Shore)", Cultural Intertexts, 9, pp.46~67 (2019)
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- Le Guin, Ursula K, "The Word for World Is Forest" (1972), A Tom Doherty
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- Wood, Susan, "Ursula K. Le Guin", pp.183~209 (1986), Chelsea House