“모든 것은 그 자체로 나뉜다”: 베케트의 『말론 죽다』와 소진의 기술
“Everything Divides into Itself”: Beckett’s Malone Dies and the Art of Exhausting
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The narrator and narrated of Samuel Beckett’s Malone Dies announces his mission to be “making an inventory.” Malone’s inventory has been mentioned consistently within Beckett studies but in-depth scrutiny has not been given. It was not Beckett scholars but Gilles Deleuze who concentrated on this fundamental problematics. There are myriads of references to Beckett in Deleuze’s works throughout his publishing career. One of Deleuze’s favorite lines appears in Malone Dies, “Everything divides into itself”, which Deleuze develops into the central theme of his long essay on Beckett’s television drama, “The Exhausted.” The sentence forms a formula that epitomizes “inclusive disjunction”, one of the main concepts behind Deleuze’s philosophy. According to Deleuze, Malone’s inventory is a form of writing that plays with this inclusive disjunction as well as an art of exhausting. For Deleuze, exhausting accompanies the exhaustion of the exhausted. Consequently, exhausting is an art joined or rather disjoined with “a fantastic decomposition of the self.” This study attempts to analyze the significance of writing as an inventory focusing on Malone Dies based on Deleuze’s visionary interpretation of Malone’s enigmatic line.
Abstract
The narrator and narrated of Samuel Beckett’s Malone Dies announces his mission to be “making an inventory.” Malone’s inventory has been mentioned consistently within Beckett studies but in-depth scrutiny has not been given. It was not Beckett scholars but Gilles Deleuze who concentrated on this fundamental problematics. There are myriads of references to Beckett in Deleuze’s works throughout his publishing career. One of Deleuze’s favorite lines appears in Malone Dies, “Everything divides into itself”, which Deleuze develops into the central theme of his long essay on Beckett’s television drama, “The Exhausted.” The sentence forms a formula that epitomizes “inclusive disjunction”, one of the main concepts behind Deleuze’s philosophy. According to Deleuze, Malone’s inventory is a form of writing that plays with this inclusive disjunction as well as an art of exhausting. For Deleuze, exhausting accompanies the exhaustion of the exhausted. Consequently, exhausting is an art joined or rather disjoined with “a fantastic decomposition of the self.” This study attempts to analyze the significance of writing as an inventory focusing on Malone Dies based on Deleuze’s visionary interpretation of Malone’s enigmatic line.
참고문헌 (20)
- 김대중, "「필경사 바틀비」와 「법 앞에서」를 통해 살펴본 윤리와 법의 의미 그리고 행복의 가능성", 영어영문학연구, 57(4), pp.39~65 (2015), 한국중앙영어영문학회
- 김대중, "『쥐』에 나타난 홀로코스트 재현의 윤리와 교육적 의의 연구", 영어영문학연구, 58(3), pp.19~46 (2016), 한국중앙영어영문학회[DOI]
- 들뢰즈, 질, "차이와 반복" (2004), 민음사
- 들뢰즈, 질, "소진된 인간" (2013), 문학과지성사
- 이정하, "소진된 인간", pp.82~152 (2013), 문학과지성사
- 이찬웅, "들뢰즈의 “이접적 종합” ― 신의 죽음 이후 무엇이 오는가? ―", 철학, (107), pp.43~62 (2011), 한국철학회
- Badiou, Alain, "On Beckett" (2003), Clinamen
- Beckett, Samuel, "Murphy" (1977), London
- Beckett, Samuel, "“Quad” et autres pieces pour la television. suivi par “L’épuisé” par Gilles Deleuze" (1992), Editions de Minuit
- Beckett, Samuel, "More Pricks Than Kicks" (1993), Calder
- Beckett, Samuel, "Trilogy: Molloy, Malone Dies, The Unnamable" (1994), Calder
- Belk, Russell W., "Possessions and the Extended Self", Journal of Consumer Research, 15, pp.139~167 (1988)
- Connor, Steven, "Samuel Beckett: Repetition, Theory and Text" (1988), Blackwell
- Deleuze, Gilles, "Anti-Oedipus: Capitalism and Schizophrenia" (1983), Minnesota UP
- Deleuze, Gilles, "Essays Critical and Clinical" (1998), Verso
- Erikson, John D., "Objects and Systems in the Novels of Samuel Beckett", L’Esprit Créateur, 7(2), pp.113~122 (1967)
- Kenner, Hugh, "A Reader’s Guide to Samuel Beckett" (1973), Farrar, Strauss and Giroux
- Milne, Drew, "An Introduction to Contemporary Fiction", pp.93~109 (1999), Polity
- Uhlmann, Anthony, "To Have Done with Judgement: Beckett and Deleuze", Substance, 25(3), pp.110~131 (1996)
- Wasser, Audrey, "A Relentless Spinozism: Deleuze’s Encounter with Beckett", Substance, 41(1), pp.124~136 (2012)
