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뉴욕의 혼종 가족들-다이애나 손의 『멈춰 키스』와 『위성들』에 나타난 탈 인종 정치성

Interracial couples in New York: Post-Racial Politics in Stop Kiss and Satellites

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In this study, I will examine the racial representation in Diana Son’s plays, Stop Kiss and Satellite. Stop Kiss has been considered as a so called post-racial drama by both mainstream theatre and Asian American theatre, as it seems to lack the typical racial agenda. This study’s first aim is to show that the post-racial representation of Stop Kiss still has the political effects. And that Satellites undermines the myth of the post-racial era with lots of racial issues—interracial marriage, inter-racial discrimination, intra-racial tension. Secondly, I will delve into the politics of Diana son’s representation of interracial couples in both plays. In Stop Kiss, there is an interracial lesbian couple, a Korean American woman and a Caucasian woman. Satellites also has an interracial family, a Korean American wife, Afro-American husband and their mixed baby. I will show that these interracial couples break away from the stereotypical interracial couple’s image; an Asian woman and a Caucasian man couple. And that these interracial couples can be read as a metaphor for the change and the future of racial identity in America.

Abstract

In this study, I will examine the racial representation in Diana Son’s plays, Stop Kiss and Satellite. Stop Kiss has been considered as a so called post-racial drama by both mainstream theatre and Asian American theatre, as it seems to lack the typical racial agenda. This study’s first aim is to show that the post-racial representation of Stop Kiss still has the political effects. And that Satellites undermines the myth of the post-racial era with lots of racial issues—interracial marriage, inter-racial discrimination, intra-racial tension. Secondly, I will delve into the politics of Diana son’s representation of interracial couples in both plays. In Stop Kiss, there is an interracial lesbian couple, a Korean American woman and a Caucasian woman. Satellites also has an interracial family, a Korean American wife, Afro-American husband and their mixed baby. I will show that these interracial couples break away from the stereotypical interracial couple’s image; an Asian woman and a Caucasian man couple. And that these interracial couples can be read as a metaphor for the change and the future of racial identity in America.

참고문헌 (17)

  1. 주경정, "(The)politics of identity in contemporary Korean American plays", 박사, 영어영문학과, pp.2013
  2. "Comic in Sprit, Serious at Heart" (1998)[URL]
  3. Chu, Patricia P, "Assimilating Asians: Gendered Strategies of Authorship in Asian America" (2000), Duke UP
  4. Eng, Alvin, "Token?: The NYC Asian American Experience on Stage", pp.408~444 (1999), Temple UP
  5. Espiritu, Yen Le, "Asian American Panethnicity: Bridging Institutions and Identities" (1992), Temple UP
  6. "Asian American Assimilation vs Acculturation" (2014)[URL]
  7. Kim, Esther, "Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook" (2002), Greenwood Press
  8. Lee, Josephine, "Performing Asian America" (1997), Temple UP
  9. Nguyen, Viet Thanh, "Race and Resistance: Literature & Politics in Asian America" (2002), Oxford UP
  10. "A Curtainup Review: Satellites" (2014)[URL]
  11. Son, Diana, "Stop Kiss" (2000), Dramatists Play Service Inc
  12. Son, Diana, "Satellites" (2008), Dramatists Play Service Inc
  13. "Interview" (2001)[URL]
  14. "Only Connect: Interview with playwright Diana Son on her play ‘Stop Kiss.’" (1999)[URL]
  15. "It’s Worth Pausing to See ‘Stop Kiss’" (2003)[URL]
  16. Wong, Sau-ling, "Reading Asian American Literature: From Necessity to Extravagance" (1993), Princeton UP
  17. Yew, Chay, "Version 3.0: Contemporary Asian American Plays" (2011), Theatre Communications Group, Inc

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