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『귀향』에 나타난 가족이데올로기의 해체와 가족의 재구성

Dissolution of Family Ideology and Re-constitution of Family in The Homecoming

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This paper examines the dissolution of family ideology, gender ideology, family blood ties, marriage, and the re-constitution of family members in Harold Pinter’s The Homecoming. The play is particularly problematic and has provoked voluminous critical responses in the sense that the heroin Ruth decides to stay with her husband’s all-male family despite their suggestions that she become a prostitute. Thus, the heart of the matter is to find the reason for her choice and what the dramatist seeks to convey. She inhabits a kind of Alaska, her American home that denies female desire and female voices. Her father-in-law, Max’s home in England is like a wasteland in which the male family members suffer from the absence of a mother-wife relationship. Pinter ultimately re-constitutes the two family members as a Pinteresque alternative family. The males need Ruth taking their dead mother-wife’s place and she needs a home which provides a certain freedom to do as she desires. The play was written in 1964, so when we think of the variable types of families that have come into being today, we can see that Pinter was incredibly ahead of his time. It is his literary practice to resist and dissolve institutionalized custom, fixed ideas, and traditional systems.

Abstract

This paper examines the dissolution of family ideology, gender ideology, family blood ties, marriage, and the re-constitution of family members in Harold Pinter’s The Homecoming. The play is particularly problematic and has provoked voluminous critical responses in the sense that the heroin Ruth decides to stay with her husband’s all-male family despite their suggestions that she become a prostitute. Thus, the heart of the matter is to find the reason for her choice and what the dramatist seeks to convey. She inhabits a kind of Alaska, her American home that denies female desire and female voices. Her father-in-law, Max’s home in England is like a wasteland in which the male family members suffer from the absence of a mother-wife relationship. Pinter ultimately re-constitutes the two family members as a Pinteresque alternative family. The males need Ruth taking their dead mother-wife’s place and she needs a home which provides a certain freedom to do as she desires. The play was written in 1964, so when we think of the variable types of families that have come into being today, we can see that Pinter was incredibly ahead of his time. It is his literary practice to resist and dissolve institutionalized custom, fixed ideas, and traditional systems.

참고문헌 (22)

  1. 채수경, "『느릅나무 밑의 욕망』의 여성적 글 읽기: “알래스카 같은 곳”", 영어영문학연구, 50(1), pp.333~354 (2008), 한국중앙영어영문학회
  2. 한준엽, "21세기 사람들, 가족이 뭐에요?: 영국 헨리센터, 2020년 가족제도 예측...“결혼 사라지고 계약 동거 성행할 듯", 시사저널, 7(2) (1998)
  3. Aronson, steven M. L., "A Casebook on Harold Pinter’s The Homecoming", pp.67~86 (1971), Grove Press
  4. Cahn, Victor L., "Gender and Power in the Plays of Harold Pinter" (1993), St. Martin’s Press
  5. Croyden, Margaret., "A Casebook on Harold Pinter’s The Homecoming", pp.45~56 (1971), Grove Press
  6. Esslin, Martin, "Pinter: The Playwright" (1971), Methuen
  7. Evans, Dylan, "An Introductory Dictionary of Kacanian Psychoanalysis" (1996), Routledge
  8. Ganz, Arthur, "Pinter: A Collection of Critical Essays" (1972), Prentice Hall
  9. Gale, Steven H., "Harold Pinter: You Never Heard Such Silence", pp.146~165 (1984), Vision Press
  10. Hall, C. Ann, "Women in the Plays of O’Neill, Pinter, and Shepard" (1993), Southern Illinois UP
  11. Hewes, Henry, "Probing Pinter’s Play", Saturday Review, 8, pp.56~ (1967)
  12. Knowles, Ronald, "Harold Pinter: You Never Heard Such Silence", pp.113~130 (1984), Vision Press
  13. Nicholson, Linda, "Feminism and Families", pp.27~42 (1997), Routledge
  14. Pinter, Harold, "Harold Pinter: Plays Three" (1991), faber and faber
  15. Pinter, Harold, "Harold Pinter: Plays Four" (1991), faber and faber
  16. Pinter, Harold, "Pinter Plays: One", pp.vii~xiv (1991), faber and faber
  17. Pinter, Harold, "Pinter Plays: Two", pp.vii~xi (1991), faber and faber
  18. Regal, Martin S., "Harold Pinter: A Question of Timing" (1995), Macmillan Press
  19. Sakellaridou, Elizabeth, "Pinter’s Female Portraits: A Study of Female Characters in the Plays of Harold Pinter" (1988), Macmillan Press
  20. Walker, Augusta, "A Casebook on Harold Pinter’s The Homecoming", pp.117~121 (1971), Grove Press
  21. Wardle, Irving, "A Casebook on Harold Pinter’s The Homecoming", pp.37~44 (1971), Grove Press
  22. Woolf, Virginia, "A Room of One’s Own & Three Guineas" (1996), Vintage

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