캐리커처의 인류학-남정현 소설의 풍자와 아이러니에 대하여

Abstract

It is seen from a characteristic of satire in Nam, Jeong-Hyeon's novels that the modern situation is when 'the scorn' becomes social condition. Therefore, the politics of satire is blocked frequently in Nam, Jeong-Hyeon's novels which is caused to the critical concern by naturally discriminating between a subject of the satire and a object of the satire inside the moral power of discrimination. Because the satire of Nam, Jeong-Hyeon's novels which is divided but indiscriminate now is transformed to the place of chaos that can be called the 'inter-scorn' and 'inter-disdain' above a border of the satire in the weakening or disappearance of moral sincerity. After all, Nam, Jeong-hyeon's novels cannot be understood anymore from the general composition of the satire that is based on the moral power of discrimination. If so be that, How can we know the distinction between the general satire and the satire of Nam, Jeong-Hyeon's novels? It is above all things by whether a moral predicament will be or not. That is to say, it can be said that it is the difference dividing between a criticism as the form of literature proposed by 'the discrimination interested’ and a scorn as the social condition caused to by ‘the indifference discriminated'. Here we try to name a literary reflection of the scorn a caricature, just the sole concern of this cartoon is wholly the scorn on the human being.