소설가 구보씨와 배우 구보씨의 대화- 「소설가 구보씨의 일일」의 연극적 변용 연구 -

Abstract

This paper analyzed narrative, language, and media characteristics by comparing the novel "A day in the life of Gubo the Novelist" with the play "1 day in the life of Gubo the Novelist". This article extends the focus of text interpretation from walking to conversation. While looking at the inner conversation focused on Gubo, and focused on the dialogue between the original author and the playwright, the director and the audience's dialogue in a conversational relationship between two different genres of Gubo texts. First, in terms of Narrative characteristic, if the record of the protagonist Gubo in the novel is 'Creative Notes', the drama is a documentary that shows the novelist's daily life and creative process. Through the dual stage and video, the play provide the image of Kyungsung by the Flàneur’s view, and the dialogue scene was placed in the foreground of the stage center. This play inherited the original work that led to the interpretation of the readers about the colonial modern city. And We should pay attention to the silent conversation of the open drama that leads to the active interpretation of the audience emphasizing the composition of meaning and process, Second, in terms of linguistic characteristics, the common feature of the original author and the playwrigh is the love for the language exploration and the Seoul-style speech. The restoration of the Kyungsung language in the 1930s and the reproduction of the multilingual situation make the audience experience it. And the dialogue of plays interferes with the natural immersion of the audience as the original work led to the defamiliarization as a comma that hinder readers' automated reading. The dramatist deconstructs the boundaries between narrative and drama with a formative experiment that transforms the original. Third, In terms of media characteristics, focused on the novel strategy of modernism, the media strategy of multi-arts that combines stage and visuals. Overlapping techniques of novels that go back and forth between the past and the present are transformed into dual stages and image processing. The original work borrowed the montage of film and the collage technique of art. On the other hand, In the adaptive flay, on the stage was a series of scenes without dramatic conflicts, and a hypertextual technique such as the insertion of images, music, and movie scenes behind the scenes.