웃음과 희극적인 것, 그리고 음악적 희극성 : 18-19세기 음악에서의 의미변화를 중심으로
Laughing, the Comic, and the Musical Comicality : Focusing on the Change of Meaning in Music in the 18-19th Century
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'Laughing' and 'the Comic' really began to come out in music in the 18th century. This change of style which could be estimated as the popular laugh started from the comic opera in Italy, and immediately had an effect up to instrumental music. They had first been evaluated in the negative by the theorists of the Enlightenment as the mean expression of spirit; gradually accepted as the progressive spirit since Haydn took them in the affirmative. 'The Musical Comicality' that come into comic effect in violence of familiar regulations is estimated even as 'the originality of genius', which creates the new sphere of mind, and appreciated as the style of expression of the poetic spirit unlimited and romantic humor in romantic aesthetics. 'Laughing', which has been perceived to be the contrast to familiarity, the reaction of disagreement, and the expression of superiority, can be thought to the representation of the desire freeing from the limited existing system of order. 'The Musical Comicality' intrinsic to 'Laughing' is, therefore, known that it is inherent in music as the desire of expression for the expansion of field of spirit restricted by the society and the spiritual culture, and, what's more, as that of metaphysics not approve the limited existing world.
Abstract
'Laughing' and 'the Comic' really began to come out in music in the 18th century. This change of style which could be estimated as the popular laugh started from the comic opera in Italy, and immediately had an effect up to instrumental music. They had first been evaluated in the negative by the theorists of the Enlightenment as the mean expression of spirit; gradually accepted as the progressive spirit since Haydn took them in the affirmative. 'The Musical Comicality' that come into comic effect in violence of familiar regulations is estimated even as 'the originality of genius', which creates the new sphere of mind, and appreciated as the style of expression of the poetic spirit unlimited and romantic humor in romantic aesthetics. 'Laughing', which has been perceived to be the contrast to familiarity, the reaction of disagreement, and the expression of superiority, can be thought to the representation of the desire freeing from the limited existing system of order. 'The Musical Comicality' intrinsic to 'Laughing' is, therefore, known that it is inherent in music as the desire of expression for the expansion of field of spirit restricted by the society and the spiritual culture, and, what's more, as that of metaphysics not approve the limited existing world.
참고문헌 (11)
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