페드로 알모도바르의 <그녀에게>에 영화적 미장아빔으로 배치된 텍스트의 의미 생성 연구

Abstract

The cinematic Mise-en-abyme creates the meaning by placing various texts in the film based on the overlapping arrangement of the text, added cinematic elements such as brand of the director. As intermedialitat produces the new meaning with mix and transformation of the various media, cinematic Abyme has the difference in terms of the point the cinematic elements are emphasized. In <Hable con Ella>, the cinematic Mise-en-abyme is divided into cinematic and non-cinematic texts. The cinematic texts are <The Lost Boy>, <All About My Mother> and <Matador>. That is the brand of Almodovar as an auteur. The non-cinematic texts are a dance drama <Café Muller> and a song <Cucurrucucu paloma>. The cinematic texts are also visible, bound to narration and the main theme like <My Lover Is Reduced>. The scene of returning into the womb is the completion of Eros through the physical combination and Thanatos. In <Matador>, the completion of love, which is reached to death, becomes the cinematic Mise-en-abyme as a brand of director. The invisible film shows a narrative relationship like <Everything of My Mother> and <Everything of Eve>. The character of Almodovar shows a voyeuristic tendency, which is also typical of Benny Ghion in <Hable con Ella>. Also Marco represents the character who has fluidity of the relationship. In <Hable con Ella>, Marco is interested in a woman who falls into misery. The fluidity of the relationship is the cinematic practice of Almodovar's philosophy that the multi-level acceptability of gender and all relationships are possible. The non-cinematic text is placed with a mise-en-scene or is visually exposed like <Cafe Muller> or <Mazurka Pogo>. <Cafe Muller> implies the state of the person, and <Mazurka Pogo> leads to Marco's actions and attraction montage. The things; the death of relationship and the birth of the relationship, the completion of Eros through death and the mutual traction and conflict between cinematic and non-cinematic texts, makes the work be located in the boundary of popularity and artistry. The text of Almodovar is the liberation of desire, a mosaic of texts for freedom of art and a new creation through the dissolution of tradition. At its core, a spirit of overthrow of Movement of Movida and brand of Almodovar as an auteur are potentially placed.