<영감놀이>의 심리치료극적 구조와 성격

Abstract

This thesis is studied about Yeonggamnori in the aspect of psychodrama. First after surveying of the playing basis and dramatic aspect of Yeonggamnori, its process of treatment is examined according to the drama’s stage. On the basis of this, the relation of Yeonggamnori and psychodrama is examined. The main contents is summarized as follows. First, Yeonggamnori is the play shamanism－song that aim at a cure effect by old man who possessed patient is isolated. But this play could be possible for Yeonggamnori that is treated a origin of old man and its function. Yeonggamnori’s structure is the same that play’s structure, introduction, peak and ending. and the detailed contents are similar to folk drama. Second, Yeonggamnori’s process of treatment is examined. Yeonggamnori is consist of introduction, peak and ending. As a checking to fit with performance situation, it can say that introduction is a spirit ceremony, peak is a performance ceremony, and ending is a sending god ceremony. So Yeonggamnori is making playing stage to three structures. And most of all the performance ceremony can be Yeonggamnori’s core. Third, the relation of Yeonggamnori and psychodrama is examined. Psychodrama’s elements are stage and audience, main character and producer, and supplementary ego etc. Over organically connection with these, patient’s psychology could be cured. But the Yeonggamnori’s elements are equal as mentioned above. Which is why Yeonggamnori is our traditional psychodrama. Only it is different with psychodrama that the main character, patient doesn’t play actively, and doesn’t reveal his problem. And these role can act as old man which can be a supplementary ego.