申光洙의 「耽羅錄」에 나타난 제주에 대한 인식과 정서

Abstract

During the Joseon Dynasty, Jeju(濟州) was a place where myths lived. Jeju was an ideological space for landlords who could not approach, but for intellectuals who actually experienced Jeju, Jeju was a real space where they had to risk their lives. Jeju was a “confined space” for Shin Kwang-soo(申光洙), who was dispatched from Seoul in 1764 and stayed in Jeju for 45 days after being trapped in a storm. In the ‘Tamna-Rok(耽羅 錄)’ left by Shin Kwang-soo while staying in Jeju, there are 49 poems along with the forewords of Shin Kwang-soo and Lee Ik(李瀷). Originally, it was created by Lee Ik, Park Soo-hee, who went with Shin Kwang-soo, but in Shin Kwang-soo's writings, there were no other poems, only two prefaces and his own poems. After returning to the mainland, Shin Kwang-soo showed the changhwa-rok(唱和錄) recorded in Jeju to the surrounding intellectuals and received the forewords of Mok Man-jung(睦萬中), Jeong Man-jo(丁範祖), and Lee Hyun-hwan(李玄煥). In addition, Chai Je-gong(蔡濟恭)'s name of the grave for him recorded this in detail. However, there is a big difference between Shin Kwang-soo and his friends on land in their preface to seeing Jeju. In the land, the duality of the space where Shinseon(神仙) lives in, and the space that they don't want to go to, which can lead to death, appears. On the other hand, for Shin Kwang-soo, Jeju was both a remote island and a space of an isolated employee that had nothing to do with his will. It was a "confined space" that could not escape even if it wanted to escape. Literature in the 18th century, in which individualistic literary thoughts were firmly established, was no longer allowed to have an idea apart from reality. Shin Kwang-soo's perception of Jeju, which “Tamna-rok”, about the experience of Jeju, which was difficult for even the surrounding intellectuals, to understand properly becomes an important record for viewing 18th century literature.