임선문 경기무악 해금선율의 음악적 특징과 의의

Abstract

Gyeonggi muak, which has been handed down to modern times, is divided into Namyangje, Gwangjuje, Dongryeongje, and Ansanje, according to regional and musical characteristics. Among them, Namyangje Gyeonggi muak was found by Jang Man-yeong and handed down to the Namyang Jang’s hereditary shamanistic clan for 150 years, until it was passed down to a haegeum player Im Seon-moon. Therefore, Im Seon-moon was the only musicion who inherited the Namyangje Gyeonggi muak. Im left a sound recording of 'Gyeonggi muak'. This study transcribed the sound source, which can be claimed to be the highest record of Namyangje Gyeonggi muak, and analyzed the musical characteristics of 8 pieces: Ginyeombul, Banyeombul, Samhyeon dodeuri, Heoteun taryeong, Jajinheoten taryeong, Gutgeori, Jajingutgeori, and Dangak. As a result, a critical clue was found to determine the distinctiveness of Gyeonggi muak. It can be stated that Im Seon-moon's Gyeonggi shaman music has the musical characteristics of all parts of Gyeonggi-do. Ginyeombul and Banyeombul have the features of yukjabaegi tori that appears in the southern regions of Gyeonggi-do. Heoteun taryeong, Jajinheoteon taryeong, and Samhyeon dodeuri are close to Bangyeong tori, related to the sounds of the north western regions of Gyeonggi-do. Also, Gutgeori and Jajingutgeori clearly show the characteristics of typical Gyeong tori. The musical structures of Dangak are Sin-gyeongtori with a scale of ‘do-re-mi-sol-la’. Also, a flowing ornamental sound appears in ‘Do’ scale, which is one of the musical features of Bangyeong tori. Im Seon-moon's Gyeonggi muak has improvisational character, which changes and repeats the theme melody in various ways. In Gutgeori series, the melody of Changbu taryeong from Gyeonggi muak was borrowed. It can be noted that this is the unique feature of Namyangje, which is different from other Gyeonggi muak.