허구의 감정, 내러티브의 통속성
Emotion of Fiction, Popularity of Narrative
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초록
본 연구는 켄달 월튼의 ‘가장 상상 이론’을 통해 감상의 본질과 감정의 관계를 제시하고자 했다. 이러한 점은 예술이 초래하는 표현이 존재적으로 허구적 일지라도 그것을 수용하는 우리 역시 상상에 의존해 보고 허구의 감정을 만든다는 의의가 있다. 중요한 것은 허구의 감정이 우리 실제 생활에 투영되어 실제의 감정으로 이행될 수 있다는 점이다. 이런 면에서 허구적인 감정은 없다.오늘날의 미디어 예술은 무엇보다 감상자의 능동적인 의식 개입과 행위를 통해 적극적인 감상 행위를 이끌어 낸다. 이때 우리가 처한 상황은 인식 작용과 인식된 대상에 따른 표현적 의미가 불리 되지 않으며, 또한 인식의 문제를 넘어선 감정이입이 내화되어있다. 허구는 우리가 알고 있는 것, 우리가 경험한 것 너머의 욕구의 문제를 담고 있다. 그래서 허구의 문제는 재현 대상과 현상의 문제뿐 아니라, 감상의 주체인 인간의 의식과도 깊게 관련되어 있다. 이것 때문에 허구에 대한 우리의 반응도 중요하다. 허구와 관련해서 인지과학, 감성공학, 심리학적 논의들은 이러한 견지에서 필요 할 뿐더러, 추체험의 근본인 의식과 결부되어 있다. 위와 같은 점에서 통속화되고 획일적인 감정을 조작하는 상업주의의 위험, 예술과 매체 속에서 내러티브를 통해 통용되는 사회적 관계 내에 파생되는 인간의 감정에 대한 서술과 표현은 왜곡되어서는 안 된다.
Abstract
This essay is to explore the relation between emotion and essential of appreciation based on Kendal L. Walten’s the theory of make-believe game. Such points mean that we have been in fictional emotion by our imagination reading and seeing the art,although the expression comes from the art can be fictional ontologically. The vital point is that such fictional emotion reflected on our real life moves to be carried on real emotion. In this viewpoint, it is clearly that there is no fictional emotion. Today, the art leads to appreciation art such as viewer’s active intervention and aesthetic experience. In appreciation the arts,the situation which we are as viewer in includes emotional sympathy beyond cognition which is not separate from expressional meaning. That is to say, fiction is that something we have already experienced and that something we have desires, so the problem of fiction is not only the represented object, but also is related to viewer’s consciousness that the subject’s response in terms of cognitive science and psychology and so on. This research are deeply connected with the explanation of aesthetic experience including information, emotion, behaviour, and judgment. Viewer’s interest, belief and emotion work in simulation, looking at the artistic context and contents which form fiction. This simulation from mind is much more important to our real desire in life and to contain internationality in judgment. In this line, this essay will suggest that our judgment of love is depended on narrative form in the arts. The idea of love is depicted in popularity and is being decent by roman and love affair. These subjects by being dealt with novel,drama let our belief and idea of life push up to fantasy and to be in the corner of prejudicial relation. Such impacts of fiction about emotion including love, sorrow, and delight and so on can let us induce being judgment on reality. Cognitive theory of emotion insists that the contents in visual arts and novel could make peoples’ ideas and believes being transformative popularity. Fiction can be the device of belief that can affect the true and false in reality, which is able to induce interpretation and distortion. Therefore,popularization of unified emotion under commercialism in public media should need being paid attention to the expression and description of emotion.
참고문헌 (14)
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