다니엘 뷔렝의 “재현에 대한 물음”에 관한 연구 - “in situ 작업”을 중심으로
A Study on the "Question of the Representation" of DANIEL BUREN - focused on "work in situ"
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Daniel Buren queries the "representation" in the traditional sense, through "work in situ" and attempts to interpret it in a new way. He base this question on "relation between work and the place", "visible as a paintion itself", "repeated use of stripes", "zero status", "neutral", "visual tool". In this process, he examines this word : "artists", "work of art", "spectator" and "place". In particular, the work of art does not imply the religious, cultural and social values. But it exist only as a visual tool. This visual tool demands that the spectator see it through the perception, that is to say using his senses. Eventually, what represents the dynamic relation between them is "work in situ".
Abstract
Daniel Buren queries the "representation" in the traditional sense, through "work in situ" and attempts to interpret it in a new way. He base this question on "relation between work and the place", "visible as a paintion itself", "repeated use of stripes", "zero status", "neutral", "visual tool". In this process, he examines this word : "artists", "work of art", "spectator" and "place". In particular, the work of art does not imply the religious, cultural and social values. But it exist only as a visual tool. This visual tool demands that the spectator see it through the perception, that is to say using his senses. Eventually, what represents the dynamic relation between them is "work in situ".
참고문헌 (12)
- Andy Goldsworthy, "Pierres" (1994), Anthese
- Catherine Francblin, "Daniel Buren" (1987), art press
- Daniel Buren, "Les Ecrits (1965-1990)" (1991), Capc Musee d'art contemporain de Bordeux
- Daniel Buren, "Entrevue" (1987), Musee des Arts Decoratifs, Flammarion
- Emmanuel Levinas, "Totalite et infini : Essai sur l'exteriorite" (2006), Kluwer Academic
- Georges Didi-Huberman, "Ce que nous voyons, Ce qui nous regarde" (2004), Minuit
- Maurice Merleau-Ponty, "L'oeil et l'esprit" (2005), Gallimard
- Rosalind E. Krauss, "Passages in Modern Sculpture" (1983), The MIT Press
- Rosalind E. Krauss, "The Originality of the Avant-Garde and Other Modernist Myths" (1989), The MIT Press
- 김미경, "Daniel Buren의 "제안 (proposition)"", 현대미술사연구, 2, pp.129~141 (1992)
- 성기문, "장소 특성을 반영하는 다니엘 뷔랭의 인 시튜작업 연구", 대한건축학회논문집 계획계, 22(2), pp.11~21 (2006), 대한건축학회
- 신혜경, "다니엘 뷔렝(D. Buren)의 탈역사주의와 공간의 재구조화 - ‘in situ’ 작업을 중심으로", 프랑스문화예술연구, 32, pp.537~564 (2010), 프랑스문화예술학회