본문 바로가기
KERD
논문KCI 등재

색감의 대비를 활용한 심정성 표현 기법 연구 -영화 <문라이트>의 미장센 분석을 중심으로-

The Study on the Befindlichkeit used by Color Contrast -Focusing on <Moonlight>’s mise-en-scene analysis-

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류예술일반

초록

The most important thing of making film is a choice of a character`s costume. movie costume is characterized by a color that is owned symbolic meaning. The relationship of character and the other character is also considered by their movie costumes. Color scheme is consisted of complementary color and similarity color. The character’s space and character’s inner mind are very closed each other at a same time. So, all filmmakers have to consider that kind of schemeand combining color. Complementary color is very useful to <Moonlight> as a combining yellow and blue. <Moonlight> is based on the play <In Moonlight Black Boys Look Blue> by Tarell Alvin Mc Craney. The main character of the <Moonlight> is not a chiron but a repressive prejudices of society around us. Chiron is wounded inner – child of our deep mind. In <Moonlight>, chiron is in the mood called Befindlichkeit by Heidegger.

Abstract

The most important thing of making film is a choice of a character`s costume. movie costume is characterized by a color that is owned symbolic meaning. The relationship of character and the other character is also considered by their movie costumes. Color scheme is consisted of complementary color and similarity color. The character’s space and character’s inner mind are very closed each other at a same time. So, all filmmakers have to consider that kind of schemeand combining color. Complementary color is very useful to <Moonlight> as a combining yellow and blue. <Moonlight> is based on the play <In Moonlight Black Boys Look Blue> by Tarell Alvin Mc Craney. The main character of the <Moonlight> is not a chiron but a repressive prejudices of society around us. Chiron is wounded inner – child of our deep mind. In <Moonlight>, chiron is in the mood called Befindlichkeit by Heidegger.

참고문헌 (17)

  1. 김유선, "영화의상디자인" (2009), 커뮤니케이션북스
  2. 김종국, "영화 색채미학" (2007), 커뮤니케이션북스
  3. 마크 A. 래톨, "HOW TO READ 하이데거" (2008), 웅진지식하우스
  4. 박지용, "비주얼 커뮤니케이션 디자인" (2007), 영진 닷컴
  5. 아드리안 푸르디거, "인간과 기호" (2007), 창지사
  6. 에바헬러, "색의 유혹" (2002), 예담
  7. 이우주, "표준 의학사전" (1993), 아카데미서적
  8. 허버트제틀, "영상제작의 미학적 원리와 방법" (2013), 커뮤니케이션 북스
  9. 권순홍, "불안의 실존론적 구성과 비본래성의 가능성", 철학논총, 78(4), pp.171~204 (2014), 새한철학회
  10. 金恩廷, "물의 물질적 상상력에 의한 도자조형 연구", 석사, 도자공예디자인, pp.1995
  11. 이경자, "스릴러 영화 <오프라인>의 도상에 대한 연구", 박사, 영화영상학과, pp.2012
  12. (2007)[URL]
  13. "색의 대비" (2007)[URL]

관련 논문AI추천

이 간행물의 다른 논문 (16건)