프랙탈 모티프 영상(촬영)소스를 활용한 수묵 애니메이션 제작기법에 대한 연구 -수묵 애니메이션 <환생(環生)·주유(舟遊)>를 중심으로-
A Study on the Technique of Making ‘Oriental Ink Animation’ using Fractal Motif Video Source -Focusing on <circle of apollonios>, <ZUYU>-
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Digitization of the video production environment has a profound and profound effect on the entire process of video production. Digital technology in the video media requires fundamental innovation and transformation from special effects (SFX) to photography, lighting, and editing. The reason that digital technology has been able to penetrate video media in a variety of technologies and methods in such a short time is that video media is a technology-based media. It is because it is the best key maker that can maximize the degree. It seeks to evoke the public’s resilience, which is already in a shorter period of time, while some of the public complain of fatigue in constant skill and the resulting sense of speed. In this era of high- tech digital video, leading exploration and development of various video media (shooting, editing, etc.) can be given the meaning of existence for the diversity of media at this point. In this paper, the investigation of a source for shooting that can properly match its attributes (various attributes of ink painting) to animation production using ink painting, in particular, the exploration of a source for photo-realistic shooting expressing a fractal structure, and various kinds that occur during the ink animation production process I will study and document the phenomenon. This will provide another indicator of how the exploration of new media can be utilized and function in the digital age.
Abstract
Digitization of the video production environment has a profound and profound effect on the entire process of video production. Digital technology in the video media requires fundamental innovation and transformation from special effects (SFX) to photography, lighting, and editing. The reason that digital technology has been able to penetrate video media in a variety of technologies and methods in such a short time is that video media is a technology-based media. It is because it is the best key maker that can maximize the degree. It seeks to evoke the public’s resilience, which is already in a shorter period of time, while some of the public complain of fatigue in constant skill and the resulting sense of speed. In this era of high- tech digital video, leading exploration and development of various video media (shooting, editing, etc.) can be given the meaning of existence for the diversity of media at this point. In this paper, the investigation of a source for shooting that can properly match its attributes (various attributes of ink painting) to animation production using ink painting, in particular, the exploration of a source for photo-realistic shooting expressing a fractal structure, and various kinds that occur during the ink animation production process I will study and document the phenomenon. This will provide another indicator of how the exploration of new media can be utilized and function in the digital age.
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