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영화 <여자, 정혜>에서 드러난 소설과 영화의 서사행위 조응 양상 연구

A Comparative Study on Narrating Between Novel and Film Emerged in the <Women, Jung - Hye>

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초록

This study focuses on the approach of narratology, which has contributed to analyzing film narratives based on the unit of ‘story’ and ‘storytelling’. From this narrative perspective, the director needs to communicate with the audience in order to represent the arrangement of the events logically, and the style of representation can be come the character of the director’s narrative strategy. The language system in films is commonly distinguished by the discourse rather than relying on it. Thus, this study analyzes Choi Wi-an’s film <Women, Jung-hye>. First, in order to find out how the discourse in his film is analyzed from the narrative perspective, this study reviews the development of the story by the discourse and classifies the story with the collections of interrelationships related to the story and the components of the meaning effect. Next, it defines the category of narrative behaviors and analyzes the temporality of films, the order of narrative and the arrangement of events that describe the relationship between story and story-telling.

Abstract

This study focuses on the approach of narratology, which has contributed to analyzing film narratives based on the unit of ‘story’ and ‘storytelling’. From this narrative perspective, the director needs to communicate with the audience in order to represent the arrangement of the events logically, and the style of representation can be come the character of the director’s narrative strategy. The language system in films is commonly distinguished by the discourse rather than relying on it. Thus, this study analyzes Choi Wi-an’s film <Women, Jung-hye>. First, in order to find out how the discourse in his film is analyzed from the narrative perspective, this study reviews the development of the story by the discourse and classifies the story with the collections of interrelationships related to the story and the components of the meaning effect. Next, it defines the category of narrative behaviors and analyzes the temporality of films, the order of narrative and the arrangement of events that describe the relationship between story and story-telling.

참고문헌 (15)

  1. 나병철, "영화와 소설의 시점과 이미지" (2009), 소명출판
  2. 서정남, "영화서사학" (2004), 생각의나무
  3. 우애령, "정혜, 우애령 창작 단편집" (2005), 하늘재
  4. 이윤기, "여자, 정혜", DVD, LJ필름 제작, 쇼박스, 미디어플렉스 배급, ~ (2005)
  5. F. K. Stanzel, "소설의 이론: 걸리버여행기에서 질투까지" (1994), 탑출판사
  6. Gerald Prince, "서사학이란 무엇인가" (2015), 예림기획
  7. Jacques Aumont, "영화분석의 패러다임" (1999), 현대미학사
  8. Roland Barthes, "구조주의와 문학비평" (1980), 홍성사
  9. Steven Cohan, "이야기하기의 이론" (1997), 한나래
  10. S. Chatman, "영화와 소설의 서사구조" (1994), 민음사
  11. Gerard Genette, "Narrative Discourse-An essay in method" (1980), Cornel university press
  12. Lanser Susan Sniader, "The Narrative Act" (1981), Princeton university press
  13. Robert Scholes, "Structuralism in literature:An introduction" (1974), Yale Uni. Press
  14. 김종완, "영화 <우리들의 일그러진 영웅>에 나타난 원작소설과의 미적 거리 연구", 한국콘텐츠학회 논문지, 12(6), pp.151~159 (2012), 한국콘텐츠학회[DOI]
  15. 이병창, "영화에서 자유간접화법의 철학", 시대와 철학, 15(1), pp.53~75 (2004), 한국철학사상연구회

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