동일시 이론의 관점에서 본 영화의 초점화 양상 연구
Aanalysis of Focalization at the Movies From Identification Theory
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This study aims to investigate for film Choi Wee-An’s Film <Today And The OtherDays> that is a very special narrative text, in which there is representing various point ofviews related to the narrator of the narrative texts and the point of views/ focalizationwhich have been discussed by the number of the narrative researchers so far. In particular,the author also deals with the researchers from Gerard Genette, Mieke Bal and Jean-LouisBaudry to Laura Mulvey who are regarded the best theorists in this field. Based on thesestudies as methodologies, the author examines the movie <Today And The Other Days>in detail that makes this movie extraordinary is in manipulating the mechanism ofnarrator, amusement of point of view/ focalization, and creation and delivery of narrativeinformation, and also in awakening that these facts are overturned and obviously shown. To get rid of ambiguousness the term ‘point-of view’, this article applies ‘focalization’theory to analyze narrative structure of film. The result of analysis shows that there arethree focalizers in film; director, protagonist-character and camera. And aspects of filmcan be varied by distance of each focalizer. These distances between focalizers limitamount of visual information.
Abstract
This study aims to investigate for film Choi Wee-An’s Film <Today And The OtherDays> that is a very special narrative text, in which there is representing various point ofviews related to the narrator of the narrative texts and the point of views/ focalizationwhich have been discussed by the number of the narrative researchers so far. In particular,the author also deals with the researchers from Gerard Genette, Mieke Bal and Jean-LouisBaudry to Laura Mulvey who are regarded the best theorists in this field. Based on thesestudies as methodologies, the author examines the movie <Today And The Other Days>in detail that makes this movie extraordinary is in manipulating the mechanism ofnarrator, amusement of point of view/ focalization, and creation and delivery of narrativeinformation, and also in awakening that these facts are overturned and obviously shown. To get rid of ambiguousness the term ‘point-of view’, this article applies ‘focalization’theory to analyze narrative structure of film. The result of analysis shows that there arethree focalizers in film; director, protagonist-character and camera. And aspects of filmcan be varied by distance of each focalizer. These distances between focalizers limitamount of visual information.
참고문헌 (17)
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