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OTT 오리지널 드라마의 특징 비교 : 국내외 OTT 플랫폼을 중심으로

Comparison of characteristics of OTT original dramas: Focusing on domestic and foreign OTT platforms

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초록

The emergence and rapid growth of OTT(Over The Top) platforms, which began with Netflix's entry into the Korean market in 2016, brought about many changes in the domestic content market centered on legacy media such as public broadcasters and cable channels. Various factors are cited as reasons for the rapid growth of OTT platforms, but it can be said that each OTT platform’s ‘original content’ played an important role. As the success of OTT original drama content has a direct impact on the influx of viewers, each platform is showing continued investment and interest in original drama content. Most domestic and international OTT platforms are structured to cover new content supply and production costs solely with users' subscription fees. Therefore, efforts are being made to produce ‘original dramas’ to encourage the influx of new subscribers and to prevent existing users from continuing to use and leave. Accordingly, this study seeks to determine whether there are any differences in characteristics between original dramas produced on domestic and foreign OTT platforms where competition is intensifying. We also want to check the correlation with box office hits on the platform. This study focused on research and analysis of the five platforms with the highest usage rate among domestic consumers (Netflix, Coupang Play, TVING, Wavve, and Disney+) among the various OTT platforms serving in Korea. Through this study, we aim to suggest the direction that domestic drama production companies should take when planning and producing original content in the future and provide practical implications.

Abstract

The emergence and rapid growth of OTT(Over The Top) platforms, which began with Netflix's entry into the Korean market in 2016, brought about many changes in the domestic content market centered on legacy media such as public broadcasters and cable channels. Various factors are cited as reasons for the rapid growth of OTT platforms, but it can be said that each OTT platform’s ‘original content’ played an important role. As the success of OTT original drama content has a direct impact on the influx of viewers, each platform is showing continued investment and interest in original drama content. Most domestic and international OTT platforms are structured to cover new content supply and production costs solely with users' subscription fees. Therefore, efforts are being made to produce ‘original dramas’ to encourage the influx of new subscribers and to prevent existing users from continuing to use and leave. Accordingly, this study seeks to determine whether there are any differences in characteristics between original dramas produced on domestic and foreign OTT platforms where competition is intensifying. We also want to check the correlation with box office hits on the platform. This study focused on research and analysis of the five platforms with the highest usage rate among domestic consumers (Netflix, Coupang Play, TVING, Wavve, and Disney+) among the various OTT platforms serving in Korea. Through this study, we aim to suggest the direction that domestic drama production companies should take when planning and producing original content in the future and provide practical implications.

참고문헌 (9)

  1. 유지훈, "글로벌 OTT 서비스 이용자의 지속적 이용 의도에 미치는 요인 연구 넷플릭스 사례를 중심으로", 방송통신연구, (102), pp.46~79 (2018), 한국방송학회[DOI]
  2. 김회재, "포스트넷플릭스, 한국드라마의 전망과 전략", 방송문화, (416) (2019)
  3. 정용국, "구독형 OTT 서비스 특성이 이용자 만족과 지속 사용 의도에 미치는 영향: 넷플릭스 이용자를 대상으로", 한국콘텐츠학회 논문지, 20(12), pp.123~135 (2020), 한국콘텐츠학회[DOI]
  4. 글로벌 OTT 사업자의 콘텐츠 IP 전략과 시사점 : 디즈니와 넷플릭스 사례 비교를 중심으로, "이성민", 한국방송통신전파진흥원, ~ (2021)
  5. 김현희, "한국 OTT 플랫폼 현황 및 경쟁력 확보 방안- OTT 정책을 중심으로", 디지털콘텐츠학회논문지, 24(3), pp.497~505 (2023), 한국디지털콘텐츠학회
  6. 장채윤, "OTT 사업자의 콘텐츠 제작 역량에 대한 사례 분석 티빙, 웨이브, 카카오TV와 넷플릭스 비교를 중심으로", 한국방송학보, 36(1), pp.1~35 (2022), 한국방송학회[DOI]
  7. 어유선, "OTT 플랫폼 드라마와 TV 드라마의 구성적 요인 비교연구: 넷플릭스 오리지널 한국 드라마와 동시방영 한국 드라마를 중심으로", 문화예술경영학연구, 15(3), pp.57~87 (2022), 한국문화예술경영학회
  8. 주닝, "OTT 플랫폼에서의 오리지널 드라마와 빅데이터에 관한 연구", pp.2020

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