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论清代的骈体游记

A Study on Parallel Travel Notes in Qing Dynasty

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Ancient Chinese travel notes are not only written in prose style but also in parallel prose style. But for a long time, the academia didn’t pay attention to parallel prose travel notes, even some scholars denied the existence of them. This kind of understanding deviation is in urgent need of correction. Mature and case-hardened parallel prose travel notes take “ji” as the orthodox school, and take “preface” as the collateral branch. At the same time, some travel works that written in combination of “ji” and “zan”( or “zan” and “xu”) are one of the variants of parallel prose travel notes. In the Qianlong and Jiaqing period, parallel prose travel notes flourished agitatedly, and Hong liangji, Wu xiqi became the great masters. After Hong liangji and Wu xiqi, many famous writers appeared one after another, and parallel prose travel notes maintained a relatively strong vitality. The prosper of parallel prose travel notes wore not only profit from writers’ literary innovation efforts, but also closely related to the debates between the prose and parallel prose. Parallel prose travel notes in Qing Dynasty set retro and innovation in one, and although they are not the main part of literary travel notes in Qing Dynasty, but are the staple of ancient Chinese travel notes.

Abstract

Ancient Chinese travel notes are not only written in prose style but also in parallel prose style. But for a long time, the academia didn’t pay attention to parallel prose travel notes, even some scholars denied the existence of them. This kind of understanding deviation is in urgent need of correction. Mature and case-hardened parallel prose travel notes take “ji” as the orthodox school, and take “preface” as the collateral branch. At the same time, some travel works that written in combination of “ji” and “zan”( or “zan” and “xu”) are one of the variants of parallel prose travel notes. In the Qianlong and Jiaqing period, parallel prose travel notes flourished agitatedly, and Hong liangji, Wu xiqi became the great masters. After Hong liangji and Wu xiqi, many famous writers appeared one after another, and parallel prose travel notes maintained a relatively strong vitality. The prosper of parallel prose travel notes wore not only profit from writers’ literary innovation efforts, but also closely related to the debates between the prose and parallel prose. Parallel prose travel notes in Qing Dynasty set retro and innovation in one, and although they are not the main part of literary travel notes in Qing Dynasty, but are the staple of ancient Chinese travel notes.

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