歷代文話賦話中的徐庾文評
Some Comments on XU Ling and YU Xin's Paralled Prose in the Theory of Parallel Prose and Fu(賦)
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Xu Ling and Yu Xin were the most famous authors in the Six Dynasties since Zhao Ming-Wenxuan(昭明文選). No more research work has been carried out in the comments of their paralled prose(駢文). In this paper we just only discuss the comments in the theory of paralled prose and Fu(賦). In the theory of paralled prose, Wang Wenlu’s(王文祿) Wen-Mai(文脈), Lang Zhangju’s(梁章鉅) Tui-An’s Lunwen(退庵論文), Sun Mei’s(孫梅) SiLiu-Conghua(四六叢話) and Sun Deqian’s(孫德謙) Liucao-Lizhi(六朝儷指) were the important books. Among them, the two Sun’s was the master work. They basically hold positive attitude toward Xu-Yu’s(徐庾) paralled prose, which in accord with their views about paralled prose and essay. So they could break through the time, heap praise on Xu-Yu’s creation, not affected by ancient prose movement(古文運動), Song-Ming neo-confucianism(宋明理學) and the trend of classicism. In the theory of Fu(賦), there were some different judgements. The blame, such as Zhu Yao’s(祝堯) Gufu-Bianti(古賦辨體), objected the comic(俳體), modern(侓體) and Si-Liu style(四六體), defended the old form(古體). On the other side, the praise, such as Li Diaoyuan’s(李調元) Fuhua(賦話), broke away from traditional ideas and affirmed Xu-Yu’s contributions. On the whole, Qing Dynasty’s people could give the positive evaluations on Xu-Yu for their awareness of stylistic. It’s because they attached importance to it. However, since the last century new culture movement(新文化運動), the trend of criticism appeared again. They had an obvious inclination of the emphasis on content rather than on form, which still existed in the most histories of literature written by modern researchers.
Abstract
Xu Ling and Yu Xin were the most famous authors in the Six Dynasties since Zhao Ming-Wenxuan(昭明文選). No more research work has been carried out in the comments of their paralled prose(駢文). In this paper we just only discuss the comments in the theory of paralled prose and Fu(賦). In the theory of paralled prose, Wang Wenlu’s(王文祿) Wen-Mai(文脈), Lang Zhangju’s(梁章鉅) Tui-An’s Lunwen(退庵論文), Sun Mei’s(孫梅) SiLiu-Conghua(四六叢話) and Sun Deqian’s(孫德謙) Liucao-Lizhi(六朝儷指) were the important books. Among them, the two Sun’s was the master work. They basically hold positive attitude toward Xu-Yu’s(徐庾) paralled prose, which in accord with their views about paralled prose and essay. So they could break through the time, heap praise on Xu-Yu’s creation, not affected by ancient prose movement(古文運動), Song-Ming neo-confucianism(宋明理學) and the trend of classicism. In the theory of Fu(賦), there were some different judgements. The blame, such as Zhu Yao’s(祝堯) Gufu-Bianti(古賦辨體), objected the comic(俳體), modern(侓體) and Si-Liu style(四六體), defended the old form(古體). On the other side, the praise, such as Li Diaoyuan’s(李調元) Fuhua(賦話), broke away from traditional ideas and affirmed Xu-Yu’s contributions. On the whole, Qing Dynasty’s people could give the positive evaluations on Xu-Yu for their awareness of stylistic. It’s because they attached importance to it. However, since the last century new culture movement(新文化運動), the trend of criticism appeared again. They had an obvious inclination of the emphasis on content rather than on form, which still existed in the most histories of literature written by modern researchers.
참고문헌 (6)
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- 王水照, "歷代文話" (2007), 復旦大學出版社
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