본문 바로가기
KERD
논문KCI 등재

驪姬는 어떻게 악녀가 되었는가? -『國語』의 인물 형상화 수법을 중심으로

How did LiJi become a wicked woman?-Focusing on the technique of characterization in the 『GuoYu』

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

초록

In this paper, the perception of Li-Ji in previous literature and the method of shaping Li-Ji characters in 『GuoYu』is analysed. After the first appearance of Li-Ji in 『GuoYu』, Li-Ji was mentioned as an example of various arguments in various literature. It can be broadly classified into three types: “Beauty(紅顔),” “Calamity(禍水),” and “cry of remorse(悔泣).” In the past literature, it was confirmed that the examples used as the epitome of “Calamity” were the most common. 『GuoYu』 is a book produced to promote the monarchs and nobles of the time, so it has a narrative intention to further highlight the person who is on the alert. In other words, Li-Ji is using various sentence techniques to make the character more vicious. First, it is “the method of comparing good and evil” that describes words and actions in contrast to the prince at the opposite point. Second, it is “the methods of virtual imagination” that describes the scene of seducing a Xian-Gong in the bedroom as an imagination. Third, it is “the Method of destiny prediction” that shows a sinister nature with divination and suggests that it will eventually ruin the country. This method of shaping the 『GuoYu』 made the character Li-Ji the epitome of “disaster,” and it can be confirmed that most of the literature has not deviated from it.

Abstract

In this paper, the perception of Li-Ji in previous literature and the method of shaping Li-Ji characters in 『GuoYu』is analysed. After the first appearance of Li-Ji in 『GuoYu』, Li-Ji was mentioned as an example of various arguments in various literature. It can be broadly classified into three types: “Beauty(紅顔),” “Calamity(禍水),” and “cry of remorse(悔泣).” In the past literature, it was confirmed that the examples used as the epitome of “Calamity” were the most common. 『GuoYu』 is a book produced to promote the monarchs and nobles of the time, so it has a narrative intention to further highlight the person who is on the alert. In other words, Li-Ji is using various sentence techniques to make the character more vicious. First, it is “the method of comparing good and evil” that describes words and actions in contrast to the prince at the opposite point. Second, it is “the methods of virtual imagination” that describes the scene of seducing a Xian-Gong in the bedroom as an imagination. Third, it is “the Method of destiny prediction” that shows a sinister nature with divination and suggests that it will eventually ruin the country. This method of shaping the 『GuoYu』 made the character Li-Ji the epitome of “disaster,” and it can be confirmed that most of the literature has not deviated from it.

참고문헌 (26)

  1. "國語" (1995), 上海古籍出版社
  2. "十三經注疏 7" (1965), 藝文印書館
  3. 陳鼓應, "莊子今注今譯" (1994), 中華書局
  4. 司馬遷, "史記" (2002), 中華書局
  5. 이숙인, "列女傳" (1997), 예문서원
  6. "『諸子集成』五" (1996), 中華書局
  7. "『諸子集成』七" (1996), 中華書局
  8. 王鈞林, "孔叢子" (2009), 中華書局
  9. 陳鐵民, "岑參集校注" (1981), 上海古籍出版社
  10. 沈德符, "萬曆野獲編" (1959), 中華書局
  11. 全鍾書, "管錐編" (1999), 中華書局
  12. 劉大杰, "中國文學發展史" (1998), 上海古籍出版社
  13. 郭預衡, "中國古代文學簡史" (1994), 首都師範大學出版社
  14. 褚斌杰, "先秦文學史" (1998), 人民文學出版社
  15. 김향, "악녀의 세계사" (2005), 가람기획
  16. 이기훈, "≪국어≫의 서술방식 연구", 석사, 중국문학, pp.2002
  17. 李書安, "『國語ㆍ晉語』文學成就硏究", 碩士, pp.2003
  18. 萬平, "『國語』敍事芻論", 北方論叢, (6) (2000)
  19. 董淑朶, "『國語』驪姬‘禍水’形象的文化闡釋", 內蒙古農業大學學報, (4) (2007)
  20. 裴登峰, "毒泣謀本質武器伎倆-從驪姬到鄭袖", 文史知識 (2010)
  21. 劉菊, "『國語』所載預言之文學意義", 唐山師範學院學報 (2013)
  22. 高方, "驪姬之亂與春秋後宮的政治生存", 綏化學院學報 (2013)
  23. 羅静, "試論史記晉世家中驪姬亂晉的記載", 靑年文學家 (2016)
  24. 梁曉萍, "從廟堂之高到江湖之遠远—驪姬故事的古今流變", 天中學刊, ~ (2019)
  25. 趙可心, "以卜筮構架的歷史敍事-以崔杼弑君和驪姬之亂爲例", 牡丹 (2020)
  26. 이기훈, "『國語』의 人物 形象化 手法 고찰 : 晉文公 重耳를 중심으로", 인문사회과학연구, 29(3), pp.204~223 (2021), 인문사회과학연구소[DOI]

관련 논문AI추천

이 간행물의 다른 논문 (6건)