김수영 시의 예술성에 관한 연구 : 그의 사물시에 대한 고찰을 중심으로

Abstract

The purpose of this study is to investigate the artistic value in Kim, Soo-young’s Poems by focusing on the consideration of his ‘Dinggedicht’. The artistic value is an artistic quality which works of art should have in themselves. It can become a synonym for the newness or the originality in a work of art by the reason that a work of art is the product of artist’s creative act. Thus the artistic value in a poem can mean something that a poem should have as an event in the meaning that something new began its existence. By such that reason, the question of the artistic value in Kim, Soo-young’s poems is not different from the question of the newness in Kim, Soo-young’s Poems. In this paper I intended to determine those features and significances in Kim, Soo-young’s Poems by focusing on the consideration of his ‘Dinggedicht’. “A PetalII”, “Snow,” and “Grass” are poems which are intensively analysed in this paper. What is foregrounded in Kim, Soo-young’s ‘Dinggedicht’s is the ‘elaboration’, some ethical works that are supporting his poetic of alchemy, not sensuous pleasure or emotional sorrow or moral rules associated with thing’s figuration. His ‘Dinggedicht’s(especially the cases of “Snow” and “Grass”) also can become a reflection on the power of the poetic imagination to achieve the effects that those poems themselves achieve. His ‘Dinggedicht’s, in their deployment of rhetorical operations, may be read as explorations in poetics. The poetic imagination Would be seeing the world anew, grasping unexpected relationships and, perhaps, appreciating what to other observers would be trivial or oppresive, finding profundity in formal appearance. A vision based on such that poetic imagination can affect things until those things reflect human’s power and active affection as his nature, such as in the case of “Snow” and “Grass”.