기형도 시의 이데올로기성 연구

Abstract

This paper is an attempt to analyze Ki Hyeong-do’s poem from the perspective of ideology. Ideology as a system-dominant consciousness shared by people in a specific space and era can be said to be a mechanism for internalizing the hierarchical perspective of domination-to-subordination. The fact that Ki Hyeong-do’s poetry was able to appeal to the people of his time means that he was seeing through the latent ideological situation under the phenomenon of the time. Ki Hyeong-do’s negative worldview is due to the loss of utopia formed through childhood experiences and the invisibility of the world due to ideological dominance. This shows that Ki Hyeong-do’s negativity goes beyond personal meaning and is operating as an ideology with social character, that is, resulting from the social situation at the time. In order to analyze an ideological properties of Ki Hyeong-do’s poetry, it is useful to identify speakers and poetic objects as poetic subjects. This is because the multi-modality of poetic subject and the invisibility of everyday space in Ki Hyeong-do’s poetry are not the result of the personal myths and imaginations of de-ideology. Ki Hyeong-do’s poetry was not a departure from realism in the 1980s, but a different expression of its historical situation. In particular, 「Black Leaf in the Mouth」 was the poet’s will not to escape from the tragic situation that can occur anytime and anywhere against the violence of the ruling ideology, and it is necessary to reflect on the community solidarity that the poet ultimately wanted to say through this poetry. From the above, Ki Hyung-do unfolded a world of poetry that responds to the unfamiliar sense newly observed to him while living in the 1980s. Contrary to the generalization of idea for a poem as realism, he responded to the city’s invisibility, alienation, and tragic negativity of disconnection, which is maturing in the day. This was a vision of the reality of the time and at the same time a prophecy of the coming future tragedy, and a mourning for the community that was destined to disappear. Therefore, recognizing the ideological implications of the negativity of Ki Hyung-do‘s poetry will serve as an opportunity to recognize what is needed in our current society, where individualism is turning into hatred and hatred of others.