고려~조선시대 범자문 와당의 형식과 제작특성 고찰

Abstract

The roof-end tile with Sanskrit Design appeared newly in the latter part of Gorye and with the Ilhwi-moon it was typical roof-end tiles from Gorye period to Josen period. Sanskrit Design was used in the factor which decorated the part of roof-end tiles. Sanskrit Design was only used or Sanskrit Design was used with the Ilhwi-moon, the Lotus pattern and the Arabesque pattern and so on. In this study the excavated remains are arranged among the roof-end tiles with Sanskrit Design and I examined the feature of each pattern and the making technique. First as the feature of each pattern, the roof-end tiles with Sanskrit Design started in the beautiful passage more than the decorative factor. Sanskrit Design was first carved with the Ilhwi-moon. Then it mixed the Lotus pattern. After that Sanskrit Design was changed in essential pattern which decorated the roof-end tile. The mantra was expressed as various font. Sanskrit Design increased the role of decorations. The roof-end tile with Sanskrit Design was typical remains which had all features changed in the latter part of Gorye. As a result of analysis of making technique of the roof-end tile with Sanskrit Design, the connect angle between the roof-end tile and the roofing tile was more than 90°~120°. The size of the roof-end tile was bigger gradually. The form of flat roof-end tiles was changed from the bow shape to the inverted triangle, so the height got higher and roof-end tile was also that the diameter got bigger. Apart from these conditions, the mark of linen and cotton in the back of roof-end tiles meaned that the efficiency of production was increased and it changed into mass production. The change of the form of roof-end tile changed from the bow shape of a long rectangle to inverted triangle. Because Yuan's style roof tiles affected our roof-end tile and the fanciness emphasized. And the used pattern was various, so that the more letter could be carved. As a result the roof-end tile with Sanskrit Design appeared to hope the nation's peace and the person's peace. And it connected Zen Buddism so it was the medium that showed the faith of the mantra. So far there are much limitation in interpreting the Sanskrit Design. In the future when this limitation will overcome and the analyse of remains will be done together, the study will success. We can know the exact meaning and the timely situation.