본문 바로가기
KERD
논문KCI 등재

<초속 5Cm>, 거리와 속도의 영상미학

<5 Centimeters per second>, Media Aesthetics of Distance and Velocity

2

조회

0

다운로드

7

인용

0

참고문헌

키워드

주제분류한국어와문학

초록

This paper is to investigate Storytelling Strategy in Shinkai Makoto's animation, <5 Centimeters per second>. Shinkai Makoto, who constantly investigated not ‘able to express by animation’ but ‘able to express only by animation', achieved media speech by making not ‘motion’ but ‘between motion and motion' creatively. This work is organized into three sections in omnibus form. These three animations which form the entire work has completion independently and also as the whole piece in the same time. This paper investigated the realization aspect in a being's solitude resulted by the distance between being and velocity in inner side in this work. Also, this paper investigated the media aesthetics in Mono no aware which was realized in this process. Even though this work has accomplished a surpassing media aesthetics, it is stuck behind the ambiguous autistic sensibility. It is because self and others is simplified into a relationship between just you and me, and it only focuses in their chaste love, denying any relationship with the rest of the world. Therefore this work is limited to the peculiar autistic world of Sekaikeigye in spite of the outstanding achievement of media aesthetics.

Abstract

This paper is to investigate Storytelling Strategy in Shinkai Makoto's animation, <5 Centimeters per second>. Shinkai Makoto, who constantly investigated not ‘able to express by animation’ but ‘able to express only by animation', achieved media speech by making not ‘motion’ but ‘between motion and motion' creatively. This work is organized into three sections in omnibus form. These three animations which form the entire work has completion independently and also as the whole piece in the same time. This paper investigated the realization aspect in a being's solitude resulted by the distance between being and velocity in inner side in this work. Also, this paper investigated the media aesthetics in Mono no aware which was realized in this process. Even though this work has accomplished a surpassing media aesthetics, it is stuck behind the ambiguous autistic sensibility. It is because self and others is simplified into a relationship between just you and me, and it only focuses in their chaste love, denying any relationship with the rest of the world. Therefore this work is limited to the peculiar autistic world of Sekaikeigye in spite of the outstanding achievement of media aesthetics.

참고문헌 (17)

  1. 김애령, "이야기로 구성된 인간의 시간: 리쾨르의 서사 이론", 철학과 현상학 연구, (18), pp.8~290 (2002), 한국현상학회
  2. 김재호, "애니메이션작품 속에 비추어진 ‘제라르 쥬네트’의 시간에서 『순서』의 분석 -“신카이 마코토” 감독의 『초속5센티미터』중심으로", 조형미디어학, 12(2), pp.31~38 (2009), 한국일러스아트학회
  3. 김준양, "이미지의 제국" (2006), 한나래
  4. 모린 퍼니스, "움직임의 미학" (2002), 한울아카데미
  5. 미셀 시옹, "오디오-비전" (2003), 한나래
  6. 박규태, "일본애니메이션 속의 전쟁표상", 日本學硏究, 0(0), pp.43~63 (2010), 일본연구소
  7. 박규태, "저패니메이션과 종교:풍경·아이덴티티·스피리츄얼리티", 동양학, (43), pp.285~304 (2008), 동양학연구소
  8. 박규태, "애니메이션으로 보는 일본" (2005), 살림
  9. 박기수, "One Source Multi Use 활성화를 위한 문화콘텐츠 스토리텔링 전환 연구", 한국언어문화, (44), pp.155~176 (2011), 한국언어문화학회
  10. 박기수, "미야자키 하야오 애니메이션의 스토리텔링 전략, アニメは越境する" (2010), 巖波書店
  11. 박기수, "픽사 애니메이션 스토리텔링 전략 연구 - 캐릭터를 중심으로", 한국언어문화, (39), pp.213~240 (2009), 한국언어문화학회
  12. 박기수, "애니메이션 서사구조와 전략" (2004), 논형
  13. 박성수, "애니메이션 미학" (2005), 향연
  14. 수잔 J. 네피어, "아니메" (2005), 루비박스
  15. 제니퍼 밴 시즐, "영화영상 스토리텔링100" (2009), 책과길
  16. 폴 웰스, "애니마톨로지@애니메이션 이론의 이해와 적용" (2001), 한울아카데미
  17. Charles Solomon, "Arts of the Animated Image: An Anthology" (1987), The American Film Institute

관련 논문AI추천

이 간행물의 다른 논문 (14건)