박경리 초기소설에 나타난 전쟁체험과 문학적 전환 －≪애가≫와 ≪표류도≫를 중심으로－

Abstract

Shadows of war were lengthening on the early novels of Park Kyoung-Ri. In the world of early shorts, fear and anxiety, poverty and destitution,responsibilities of family support with woman head of household repeatedly appeared. These motifs which are used as first-person protagonist and observer’s view point have descriptive grammar that Character and narrator’s close aesthetic distance. This is one of aspects showing immediate experience aftermath of the war. The Path of complaint against social evils goes through than hasty objectification of war experience though early shorts freighted predominant autobiographical elements, recollection and interiority. However, reached in the late 1950s when the remnants of war getting disappear, Park tried to seek the full-length form to tell the complexity of real world. First, writer chose the way narrates the current of war victims based on affection relationship than taking advantage from a short form, that is Aega. Aega succeeded to seize the women with the wounds of war but failed to make establish the prosaic realities beyond the poetic situation. The main cause is that area where women can acts vibrantly in social wasn’t equipped. But Pyoryudo presented a new aspect which insight into and out of society after war, brought a professional women despite autobiographical elements,recollection and interiority early shorts have. Especially the real world in novel exposed through the Coffee and the Prison presents unhappiness of women fallen to the bottom and also daydream and the reality of professional women as the victim of war. That she switch the One person’s pain to writing that holds the pain of all is the achievement of the early novel of Park Kyung-Ri in Pyoryudo. This transitional recognition is the horizon reached through the view and insights of post-war society, later it offered literary power leading to Toji(토지)through many of the 1960s’s mid, short stories and Shijanggwajeonjang(시장과 전장).