4.19 혁명의 재현과 여성 시민권의 창출 －박경리와 손장순의 장편소설을 중점으로

Abstract

As the literary history of the 1960s was reorganized around the '4.19 generation' young male writers and short stories that occupied the position of 'intellectuals', the features of female writers were left out in an exceptional position. However, reading the way that the Aprill 19 Revolution revives the citizenship of women in Park Kyong-ni's "The Fields of the Light" and Sohn Jang-soon's "Koreans", where politics and gender stand in the intersection, It can be an important task to destroy the point that was trapped in the frame. The meaning of the Aprill 19 Revolution in Park Kyong-ni's novel "The Fields of Nocturnal" was found in the ignorance of civilization outside of civilization. It is important to note that the wildness of the master in front of a man who is trying to enlighten and learn does not end up being subjugated or subordinate anywhere. Park Kyong-ni, through surviving to the last and not being tamed, is suggesting another way of violation that can face the limits of women 's citizenship in society and at the same time be free and equal. It is the oblivion of the significance of the Aprill 19 Revolution that is an important background of all corruption and cynicism in Korean society in the feature "Korean" of Sohn Jang-soon. The novel reminds us that the issue of citizenship should not be acquired only by women's separation and struggle, but should also be newly acquired by Korean men under the geopolitical context of Korea, which is economically tied to the United States. At this time, women 's citizenship can be a minimum starting point for constructing Korea' s weak economic sovereignty independently from the United States. Women 's citizenship is tied up with a big frame called' Koreans', and successful acquisition of male citizenship and cooperative tension. Women's citizenship was one of the signs that the Aprill 19 Revolution had to be effective, but remained unfinished. The study of the questions and interpretations that the female writers threw at the time with a passion for fostering a useful reference point in reestablishing the progress of women's literature in the current phases of the late 2010s.