레프와 구성주의 문학 논쟁: 마야콥스키와 셀빈스키의 시적 대화를 중심으로
Literary debates between LEF and Constructivism: Poetic Dialogue of V. Mayakovsky and I. Selvinsky
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The aim of this study is to examine aesthetic correlation between LEF and constructivists-poets, a.k.a. LTsK. To achieve this goal, I have reconstructed their poetic dialogue and to illuminated the problems of continuity and disconnection of their poetic paradigms through the analysis of literary debates and poetic parody, reflected in the works of the heads of each group – V. Mayakovsky and I. Selvinsky. LEF and LTsK were leading literary avant-garde groups, which led the literary debates in the 1920s. With Mayakovsky as representative poet of futurism and the founder of LEF being the aesthetic source of avant-garde art after Revolution, on one hand, Selvinsky as the central figure of LTsK was avant-garde poet, the other hand, who recognized LEF as degeneration of futurism and inherited the other sides of futurism, creating anti-LEF and anti-Mayakovsky texts. For Selvinsky, who made his debut in literary life under the influence of futurism, Mayakovsky was the subject of competition and repercussion throughout the 1920s. This mentality is reflected in the former’s works, such as Note of Poet and Pushtorg, by using different types of poetic parody of Mayakovsky's poetic forms and techniques. In his last poem At the Top of My Voice, Mayakovsky cynically uncovers anachronism, rustic techniques and forms of young constructivists-poets by redefining different motifs and using paronomasia and parody. It was the last defense against the literary attack of Selvinsky and constructivists-poets.
Abstract
The aim of this study is to examine aesthetic correlation between LEF and constructivists-poets, a.k.a. LTsK. To achieve this goal, I have reconstructed their poetic dialogue and to illuminated the problems of continuity and disconnection of their poetic paradigms through the analysis of literary debates and poetic parody, reflected in the works of the heads of each group – V. Mayakovsky and I. Selvinsky. LEF and LTsK were leading literary avant-garde groups, which led the literary debates in the 1920s. With Mayakovsky as representative poet of futurism and the founder of LEF being the aesthetic source of avant-garde art after Revolution, on one hand, Selvinsky as the central figure of LTsK was avant-garde poet, the other hand, who recognized LEF as degeneration of futurism and inherited the other sides of futurism, creating anti-LEF and anti-Mayakovsky texts. For Selvinsky, who made his debut in literary life under the influence of futurism, Mayakovsky was the subject of competition and repercussion throughout the 1920s. This mentality is reflected in the former’s works, such as Note of Poet and Pushtorg, by using different types of poetic parody of Mayakovsky's poetic forms and techniques. In his last poem At the Top of My Voice, Mayakovsky cynically uncovers anachronism, rustic techniques and forms of young constructivists-poets by redefining different motifs and using paronomasia and parody. It was the last defense against the literary attack of Selvinsky and constructivists-poets.
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