러시아와 중국의 영화정책 상관성 연구

Abstract

This paper examines the Correlation between Russian and Chinese cinema policies. The film in China and Russia, which have been in common since the introduction of the film, is used in ideological propaganda by political leaders who have founded out the educational function of the film. So, in both countries, the film has lost all its artistic autonomy and character and has a similarity that has deteriorated as a means of explicit political propaganda education. To gain effective and visible fruit of the political function of the film, Both governments have implemented a series of strong policies, including monopolies on the film industry, regulation and censorship of films. Of course, the current policies of the film industry in Russia and China are more relaxed than in the past, the autonomy and openness of the film industry are guaranteed. to some extent. Nevertheless, the two governments have not yet given up the political expectation for the efficiency of the political functions of the film, in other words, the monopoly and regulation of film are replaced by smooth language of material aid and policy support, the film industry in Russia and China is still subject to government policy regulation through government agencies. As a result of the above policy support, it has been established as an influential mainstream genre by establishing special genre characteristics (history - character blockbuster) in the two countries' movies (industry). This tendency, of course, is a factor that significantly impedes the development of both countries' movies. However, even the influential directors, such as Zhang Yimou , the world famous film director of China, are supporting the mass production of "national film" by distorted directing in the cultural and historical context with huge funding from the government.