본문 바로가기
KERD
논문KCI 등재

푸슈킨의 <보리스 고두노프>와 살트이코프-쉐드린의 <골로블료프씨네 사람들> 비교 연구 - 스놉(Snob)으로서의 주인공 형상을 중심으로

A Comparative Study of Pushkin's Boris Godunov and Saltykov's Goloblov's Family

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

초록

The primary objective of this paper is to sketch the contours of snob based on a peculiar model of act. Through the modernization Russians became believe the human capability and the possibility of realization of hunan value. But we discovered that characters of Pushkin's Boris Godunov, which are based in the Time of Troubles, always live like a actor under the mask. It attempts to prove the fact that the theatricality of everyday behaviors of the russian aristocracy can be understood as the emergence of the Russian modern snob, who understands and practices the recognition struggle in a distorted way. The hypothesis of this paper is that Pushkin and Saltykob's characters resemble each other and jointly embody the snobbism. Along with this, on the other hand, the second objective of this paper is to find the snob, who has escaped romanticism and became a monster. In Shchedrin's work, we can find the typical snob like a doll. They simply accept the given values of this world, have only desire to possess. Saltykob's achievement is of help to rsconsider characteristics of 'Russian attitude' towards some crucial categories surrounding the concept of self, such as freedom and human being's will.

Abstract

The primary objective of this paper is to sketch the contours of snob based on a peculiar model of act. Through the modernization Russians became believe the human capability and the possibility of realization of hunan value. But we discovered that characters of Pushkin's Boris Godunov, which are based in the Time of Troubles, always live like a actor under the mask. It attempts to prove the fact that the theatricality of everyday behaviors of the russian aristocracy can be understood as the emergence of the Russian modern snob, who understands and practices the recognition struggle in a distorted way. The hypothesis of this paper is that Pushkin and Saltykob's characters resemble each other and jointly embody the snobbism. Along with this, on the other hand, the second objective of this paper is to find the snob, who has escaped romanticism and became a monster. In Shchedrin's work, we can find the typical snob like a doll. They simply accept the given values of this world, have only desire to possess. Saltykob's achievement is of help to rsconsider characteristics of 'Russian attitude' towards some crucial categories surrounding the concept of self, such as freedom and human being's will.

참고문헌 (15)

  1. 김수환, "유리 로트만의 ‘수행적’ 주체: “일상행위의 시학” 다시읽기", 러시아어문학연구논집, (44), pp.33~60 (2013), 한국러시아문학회[DOI]
  2. 김진영, "푸슈킨 러시아 낭만주의를 읽는 열 가지 방법" (2009), 서울대학교출판문화원
  3. 김홍중, "마음의 사회학" (2009), 문학동네
  4. 알렉산드르 뿌슈낀, "보리스 고두노프" (2003), 고려대학교 출판부
  5. 우스펜스키 B. A., "러시아 기호학의이해" (1993), 민음사
  6. 유리 로트만, "러시아 문화에 관한 담론 2" (2011), 나남
  7. 유리 로트만, "알렉산드르 세르게예비치 푸시킨" (2013), 고려대학교 출판부
  8. 유리 로트만, "러시아 기호학의 이해" (1993), 민음사
  9. 이경재, "김훈 소설의 인간상 연구", 현대소설연구, (52), pp.383~407 (2013), 한국현대소설학회
  10. 이덕형, "러시아 문화예술의 천년" (2009), 생각의 나무
  11. 이진경, "근대성의 경계를 찾아서" (1997), 새길
  12. Бочаров С.Г., "Вопросы теории сатиры" (1957), писатель, М
  13. Горячкина, М.С., "Некоторые особенности психологизма Достоеаскогои Щедрина", Русская Литература (1972)
  14. Горячкина, М.С, "Сатира Салтыкова-Щедрина" (1965), Просвещение
  15. Салтыков-Щедрин М.Е., "Собр. соч. в 20 т.13, ХудожественнаяЛитература" (1972)

관련 논문AI추천

이 간행물의 다른 논문 (12건)