안드레이 모구치와 충돌의 미학 : 볼쇼이 드라마 극장(БДТ) 작품을 중심으로
Andrei Moguchi’s Aesthetics of Collision : Focused on the Works in Bolshoi Drama Theater
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Andrei Moguchi is a representative director who has consistently pursued avant-garde plays in Petersburg, the sacred place of classical art. Starting directing from street plays, he founded Formalny theater, a representative underground theater company, in 1990 and made a name for unconventional experimental plays and image plays, and he also visited Korea with <School of Fools> in 2005 and <Between Dogs and Wolves> in 2006. Since 2013, Moguchi has been the artistic director of Petersburg's historic Bolshoi Drama Theater(BDT), leading a new era of theaters. This study focused on his director’s aesthetics in recent works from BDT. For this study, three representative works directed by Andrei Moguchi were selected, Byrifayev's <Drunken People>, Ostrovsky's <The Thunderstorm> and Yuri Olesha's <Three Fats>. Each of these three works is considered Moguchi's greatest success during the BDT period, winning the best theater award in Russia, and at the same time, they are the works that most clearly show his recent directing aesthetics of collision. The collision and musicality in each work are revealed in different ways, <Drunken People> uses a montage technique created by the collision of text and Indian film images. In <The Thunderstorm>, the stage that advocates Russian folk crafts and the Japanese Kabuki style collide. And in <Three Fats>, Moguchi's directing aesthetics are revealed through the clash of images of revolution and circus and symphony composition. In terms of the research method, the researcher first specifically analyzed the collision of images revealed in the three performances and their aesthetic effects, and secondly, focused on the musicality and musical structure revealed in all three works.
Abstract
Andrei Moguchi is a representative director who has consistently pursued avant-garde plays in Petersburg, the sacred place of classical art. Starting directing from street plays, he founded Formalny theater, a representative underground theater company, in 1990 and made a name for unconventional experimental plays and image plays, and he also visited Korea with <School of Fools> in 2005 and <Between Dogs and Wolves> in 2006. Since 2013, Moguchi has been the artistic director of Petersburg's historic Bolshoi Drama Theater(BDT), leading a new era of theaters. This study focused on his director’s aesthetics in recent works from BDT. For this study, three representative works directed by Andrei Moguchi were selected, Byrifayev's <Drunken People>, Ostrovsky's <The Thunderstorm> and Yuri Olesha's <Three Fats>. Each of these three works is considered Moguchi's greatest success during the BDT period, winning the best theater award in Russia, and at the same time, they are the works that most clearly show his recent directing aesthetics of collision. The collision and musicality in each work are revealed in different ways, <Drunken People> uses a montage technique created by the collision of text and Indian film images. In <The Thunderstorm>, the stage that advocates Russian folk crafts and the Japanese Kabuki style collide. And in <Three Fats>, Moguchi's directing aesthetics are revealed through the clash of images of revolution and circus and symphony composition. In terms of the research method, the researcher first specifically analyzed the collision of images revealed in the three performances and their aesthetic effects, and secondly, focused on the musicality and musical structure revealed in all three works.
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