思菴 朴淳의 唐詩風 受容과 展開樣相

Abstract

Park Shoon is recognized as a 16th century pioneer of Chinese poetry and is credited as instigating the poets of Three Tang’s rise to power. Park Shoon, whose pen name was Shaam and nickname was Whasook, was born in Naju as the son of Yubong Park Woo and nephew of Nooljae Park Shang in 1519. The following research demonstrates how specific cultural conditions made the form and style of Park Shoon's poetry popular, despite its lack of contemporary content This paper demonstrates how the specific cultural conditions provided Park Shoon’s poetry with a context that allowed for its popularity, despite its lack of contemporary content. Shaam demonstrated the talent to write poems earlyin his childhood, particularly poetry related to nature. This natural inclination guided him to poems of the Tang Style, leading him to pursue studies of Lee Baek and Tubo. However, Shaam regarded the song-styled poetry of Jiang Xi Shi Pai as reflective of modern times, demonstrating the influence of reactionism on his own philosophy. Shaam uses common language to concisely express his emotions and communicate effectively. Through a combination of adapting the Tang style and form, while making Korean references, Shaam effectively expressed many collective sentiments that existed during the Chosun dynasty. Rather than involving himself in social activities, Shaam attempted to escape contemporary material vices by incorporating nature into his themes. This inclination to escape materialism resonates with the Tang style. Therefore, a discussionof Shaam's utilization of the Tangle Style of Poetry is necessary not only to examinethe term 'the Style of Tang Poetry' but also to understand the greater cultural context of the time.