A Study on the identity of telepresence and interaction of holistic senses in the Metaverse
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
This study examines the change in identity and the idiomatic sensory experience among the users of the Metaverse and discusses the potential of the virtual space as an art therapy space. Recently, the Metaverse has emerged as a platform that not only imitates sociocultural systems such as entertainment, education, economy, and politics but also directly constructs and realizes new systems. As the contents of emotional communication in the Metaverse have been refined and expanded, various forms of artistic expressions and treatments may be applicable. The idiosyncratic nature of ‘emotional communication’ and ‘sensory expression’ in the Metaverse stems from telepresence and interactivity. Since the physical self and the present self are united and/or disunited in the Metaverse, split and integration can also occur in emotional experiences. When a user creates and contextualizes a world in a virtual space, aesthetic contents are created by repeating playful interactivities for the immersion in holistic senses rather than by experiencing physical materials. Since the virtual space accepts ambivalent concepts simultaneously, its users tend to manifest ambivalent emotions, and various symptoms may appear depending on their emotional state and psychological stability. The Metaverse is expected to serve as a treatment room to reintegrate fragmented and transformed self-images through acceptance of ambivalence, connection with reality, and mixing of virtual and physical sensory experiences.
Abstract
This study examines the change in identity and the idiomatic sensory experience among the users of the Metaverse and discusses the potential of the virtual space as an art therapy space. Recently, the Metaverse has emerged as a platform that not only imitates sociocultural systems such as entertainment, education, economy, and politics but also directly constructs and realizes new systems. As the contents of emotional communication in the Metaverse have been refined and expanded, various forms of artistic expressions and treatments may be applicable. The idiosyncratic nature of ‘emotional communication’ and ‘sensory expression’ in the Metaverse stems from telepresence and interactivity. Since the physical self and the present self are united and/or disunited in the Metaverse, split and integration can also occur in emotional experiences. When a user creates and contextualizes a world in a virtual space, aesthetic contents are created by repeating playful interactivities for the immersion in holistic senses rather than by experiencing physical materials. Since the virtual space accepts ambivalent concepts simultaneously, its users tend to manifest ambivalent emotions, and various symptoms may appear depending on their emotional state and psychological stability. The Metaverse is expected to serve as a treatment room to reintegrate fragmented and transformed self-images through acceptance of ambivalence, connection with reality, and mixing of virtual and physical sensory experiences.
참고문헌 (29)
- "A Cross-Industry Public Foresight Project."Metaverse roadmap 2007: Pathways to the 3D Web" (2007)[URL]
- Steuer, J, "Defining virtual reality: Dimensions determining telepresence", Journal of communication, 42(4), pp.73~93 (1992)
- Lee, K. M, "Presence, explicated", Communication Theory, 14(1), pp.27~50 (2004)
- 한주연, "치료적 기능성 게임에서 감정적 거리와 자기 노출의 활용", 한국컴퓨터게임학회논문지, 30(2), pp.35~40 (2017), (사)한국컴퓨터게임학회[DOI]
- 한주연, "게임 중독의 정신분석적 함의와 치료 요인에 대한 고찰", 한국게임학회 논문지, 20(4), pp.33~46 (2020), 한국게임학회[DOI]
- Dyregrov, A., "Work with traumatized children—Psychological effects and coping strategies", Journal of traumatic Stress, 5, pp.5~17 (1992)
- Jonassaint, C. R., "Feasibility of implementing mobiletechnology-delivered mental health treatment in routine adult sickle cell disease care", Translational behavioral medicine, 10(1), pp.58~67 (2020)
- Emmelkamp, P. M., "Virtual reality therapy in social anxiety disorder", Current psychiatry reports, 22(7) (2020)
- Wiederhold, B. K., "Virtual reality therapy : emerging topics and future challenges", Cyberpsychology, Behavior, and Social Networking, 22(1), pp.3~6 (2019)
- 한주연, "Management and Embracement of Emotional Experiences in Therapeutic Use of Game Space", 한국컴퓨터게임학회논문지, 32(1), pp.29~38 (2019), (사)한국컴퓨터게임학회[DOI]
- Crawford, C, "Chris Crawford on Interactive Storytelling" (2015), Hanbit Media,
- Hansen, M. B. N, "New philosophy for new media" (2016), The MIT Press
- Gida Gen, "Dictionary of Phenomenology" (2011), b Press
- Lakoff, G, "Philosophy in the Flesh: the embodied mind and its challenge to western though" (1999), Basic Books
- Mi-ra Kang, "Body, Main Agent, Power:Body Concept of Merleau-Ponty and Foucault" (2011), Ihaksa
- Pavis, P, "Performativity and Mediality: the Keywords of Human Science in 21st Century" (2012), Soonchunhyang University Human Science Research Institute
- Austin, J.L, "How to do things with words" (1992), Seokwangsa
- Fischer-Lichte, E, "Aesthetik des Performativen" (2017), Munhakgwajisung
- Kwastek, K., "Aesthetics of interaction in digital art" (2013), MIT Press
- Boss, M, "Psychoanalysis and daseinsanalysis" (2003), Hana Medical
- Manovich, L, "Language of New Media" (2004), Communication Books
- Bolter, J. D, "Remediation:Understanding New Media" (2011), Communication Books
- Evans, D., "An Introductory Dictionary of Lacanian Psychoanalysis" (1998), Ingansarang
- Winnicott, D. W., "Playing and Reality" (1971), Basic Books
- Paolo, K, "Principles and practice of expressive arts therapy : Toward a therapeutic aesthetics" (2011), SigmaPress
- Dixon, S, "Digital Performance: A history of new media in theater, dance, performance art, and installatio" (2007), The MIT Press
- Yung, C.G, "Archetyp und Unbewusstes" (2002), Son Press
- Jook-Nea Lee, "Jungian psychology and eastern thought" (2005), Hana Medical
- McLuhan, M, "Understanding media : the extensions of man" (2020), Minumsa