본문 바로가기
KERD
논문KCI 등재

원효 무애무(無㝵舞)의 교육적 소고(小考)

An Educational Study on Wonhyo's Muaemu

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류교육학

초록

The aim of this study is to investigate an educational meaning on Wonhyo's Muaemu(dance free from every attachment). This study puts focus on the dance's form, buddhist thoughts symbolized in the movements, and their educational meaning. The dance was originated by the famous buddhist monk, Wonhyo who lived in the periods of Three Kingdoms and Unified Silla. Wonhyo taught buddhist thoughts that were too difficult to understand for the illiterate by the method of the dance and song that everyone could do and enjoy. As a result, the Buddhism of Silla was known to everyone including beggars, the poor, and even innocent kids. It proved that the education through the dance was very effective. So the dance was played every place where people could meet. However in the periods of Koryo and Choseon Dynasty, the dance was performed in the court in the form of established pattern by the female entertainers. The movements of this dance were as follows: With the round gourd in hand he moves back and forth. He sways his two arms high in the air and lifts his legs three times with his belly vacant and his neck drooped. These movements symbolize collectively Wonhyo's buddhist thoughts that we should live free from every care and attachment, transcend the worlds of desires, and accept and respect everyone as respectable Buddha in the sea of one cosmic mind. To spread Wonhyo's dance of Muae, Korean traditional dances including Muaemu should be placed in the regular curriculum of preschool, primary school, and secondly school.

Abstract

The aim of this study is to investigate an educational meaning on Wonhyo's Muaemu(dance free from every attachment). This study puts focus on the dance's form, buddhist thoughts symbolized in the movements, and their educational meaning. The dance was originated by the famous buddhist monk, Wonhyo who lived in the periods of Three Kingdoms and Unified Silla. Wonhyo taught buddhist thoughts that were too difficult to understand for the illiterate by the method of the dance and song that everyone could do and enjoy. As a result, the Buddhism of Silla was known to everyone including beggars, the poor, and even innocent kids. It proved that the education through the dance was very effective. So the dance was played every place where people could meet. However in the periods of Koryo and Choseon Dynasty, the dance was performed in the court in the form of established pattern by the female entertainers. The movements of this dance were as follows: With the round gourd in hand he moves back and forth. He sways his two arms high in the air and lifts his legs three times with his belly vacant and his neck drooped. These movements symbolize collectively Wonhyo's buddhist thoughts that we should live free from every care and attachment, transcend the worlds of desires, and accept and respect everyone as respectable Buddha in the sea of one cosmic mind. To spread Wonhyo's dance of Muae, Korean traditional dances including Muaemu should be placed in the regular curriculum of preschool, primary school, and secondly school.

참고문헌 (22)

  1. "論語", ~
  2. "孟子", ~
  3. "三國遺事", ~
  4. "宋高僧傳", ~
  5. "金剛經", ~
  6. "華嚴經", ~
  7. "高麗史", ~
  8. "世宗實錄", ~
  9. "破閑集", ~
  10. "大乘起信論疏", ~
  11. "金剛三昧經論", ~
  12. "二障義", ~
  13. "遊心安樂道", ~
  14. "法華經宗要", ~
  15. "彌勒上生經宗要", ~
  16. "華嚴經疏", ~
  17. 高大民族文化硏究所, "國譯 破閑集⋅慵齋叢話" (1964), 東亞出版社
  18. 大韓佛敎元曉宗, "國譯 元曉聖師全書" (1989), 第一文化社
  19. 박봉목, "교육과 철학", pp.320~321 (1985), 문음사
  20. 손지혜, "원효무애사상의 예술적 구현-무애무를 중심으로", 석사, pp.2009
  21. 조경아, "純祖代 孝明世子 代聽時 呈才의 演行樣相", pp.2004
  22. 조경아, "무애무(無애舞)의 기원과 변천과정", 온지논총, (13), pp.181~222 (2005), 온지학회

관련 논문AI추천

이 간행물의 다른 논문 (6건)