무애무無㝵舞 재현 및 가상 무보舞譜 전망 ― 원효元曉의 『십문화쟁론十門和諍論』을 중심으로

Abstract

Hwajeang is a representative of the ideas in Wonhyo philosophy. So, since modern age, many researchers, has been focused on hwajeang, just the main concept in Wonhyo philosophy. Wanhyo, not only called 'Daeseonghwajeangguksa' by Sukjong of Goryeo Dynasty, but also since that called 'hwajeangosa' in the general. One more, <sipmunhwajaengron>, that is called the conclusion of his thought, is most important works. However, the writings had lost, so we do not know its full text. Fortunately, since modern times, the prototype was restored by the efforts of many korean buddhist studies scholars. By that, we can see, Wonhyo, at the time of the Silla, try to reconcile many different theories in Buddhism. So he hope to make a unified system of Buddhism in <sipmunhwajaengron>. Sipmuneun mean the ten kinds classified major discussions. In this paper, the Wonhyo muaemu and the elements of hwajaeng philosophy will be represented, according to the ten theories and types in <sipmunhwajaengron>. Thus, we can be supplemented the original Buddhist principle that out of in Jeongjae, Confucian royal court dance is made ​​in the Goryeo dynasty and be succeeded in the Joseon dynasty and in today Korea. in investigated.