김동인 <감자>의 영화화에 따른 여성욕망 재현의 변모양상

Abstract

The purpose of this study is to examine the method of representation of women’s desire and the process of change in the process of filmmaking of Kim Dong-in’s novel Potato. This paper divides the original and filmized works of Gamja into three periods, compares the changes in the structure of women’s desires in each period, and analyzes the influence relationship of male-dominated ideology. In Chapter 1, I analyzed the original story of the potato and the background of the era when the original was made into a movie. In Chapter 2, I looked at the aspects of women’s desires revealed in the 1920s. Chapter 3 compares and analyzes the changes in women’s desire and male domination ideology in films shot by director Kim Seung-ok in the 1960s. Chapter 4 compares and analyzes the desires of women and patriarchal ideology depicted in director Byun Jang-ho’s films in the 1980s, and examines changes in socio-cultural aspects. This thesis is meaningful in that it can examine the process by which women’s desire and male domination ideology change by era in the process of converting the novel potato into a film and are affected by changes in social and culture. In addition, the issue of ‘male sexual politics’ revealed in the process of media transfer is worth further research in the future.