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唐尚法硏究

A study of Tangshan Law

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초록

书法艺术是研究汉字特有的书写方法及法度的学问,是对中国汉字 作各种美化的规则和法术,是基于“汉字”的艺术。 书法之法,实有二意。 其一为法则,其二为法度。 因而书法不能离开汉字去空谈,也不能不要 方法,背离法度地妄为。 唐代的尚法,不仅为汉魏晋以来的书法艺术做 了深入的研究、 总结和发展,同时也为后世书学提供了“法”的依据。 当法度成为表现心灵的手段时,是不能言“尚法”的,而言唐人尚法,那就是 因为唐人把法度当成了书法表现的目的,起码是目的的一部分。 他们把前人 为表现心灵而创造出来的法看成了法则、 楷模,于是“法定而字有常格”, 再也 不像钟繇那样“每点多异”, 也不像羲之那样“万字不同”, 而是象智永那样 “精熟过人,异无奇态矣”。 所谓唐尚法,就是尚定法,就是将法度定型化。 唐尚法主要是就楷书而言,因为唐代是楷书完全成熟的时期,这一时期 楷书最为普及,楷书大家最多,楷书笔法、 结构的总体也达到了高潮。 让 我们看看楷书笔法、 结构是怎样定型化。 “尚法”不是目的,而是学书的手段和方法。 尚法是为了更好的表意宣 情,是为了更好的表达作者的审美情趣。 “尚法”就意味着严格的继承,没 有很好的继承作基础,就不能很好地出新,因为出新要有严谨的法度作 保障。 “尚法”是学书人取宝的秘笈良策, 而且“一分耕耘,一分收获。”

Abstract

Calligraphy is a study of Hanja's unique narrative methods and methods. This is a variety of rules and arts and basics of Chinese characters.The "law" of calligraphy actually has two meanings. One is the law, and the other is the law. Because it can not leave Chinese calligraphy, and can not escape the law.The Tang Dynasty 's' Commercial Law' deeply studied and developed and developed calligraphy since Korea, China, and Qin. At the same time, it provided the basis of the law to Fuksei. When the law is a means of expressing the spirit, it can not be said to be a 'commercial law'. The reason why Tang is called "Commercial Law" is because the Tang Dynasty has made the law a goal of calligraphy expression. They regarded the 'law', which former people expressed and created the spirit, as the law and the law. Therefore, he could not become like a slave or a king again, and he was as tired and familiar as Ji-young and had no strange appearance. Thus, Tang 'Commercial Law' is a stereotype of a law that admires the 'law'. The Tang Dynasty "Commercial Law" refers mainly to the law. Because, when it reached the Tang Dynasty, it was completely mature, and at that time, the most was spread. Also, the cost of the book was the greatest, and all the writing methods of the book reached the highest point. If you look at the way of writing that they wrote, you can see that they have already become stereotypes. 'Commercial law' is not a purpose but means and method of learning calligraphy. The 'commercial law' is intended to express the emotions well and to communicate the aesthetics and the mood of the artist. 'Commercial law' means a strict succession. Without a foundation of good succession, we can not express newness. Because, in order to show the newness, a stern rule must be guaranteed. The 'commercial law' is that not only is the calligrapher learning to take treasures, but also to be able to obtain the talent to be harvested.

참고문헌 (13)

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  12. "錢鍾書, 管錐篇", ~
  13. 李澤厚, "美的歷程", ~

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