한국 한문고전서사 작품의 존재와 번역의 제문제

Abstract

Korean classical literature grew by sharing its stylistic characteristics under the influence of the East Asian Chinese character culture. Kim Si-seup the 15th century university symbolize the dawn of a narrative open <Geumo Sinhwa> peaking at ‘Chuan-qi’(傳奇) form is a typical case. However, Han-documentary styles such as ‘mongyurok’(夢遊錄), ‘an unofficial version of historical tale’(野談), and ‘the novel of the bedchamber’(閨房小說), which began to appear afterwards, are themselves achievements made in our unique sociocultural context. However, as such epic literature is recorded in Chinese, it is necessary to go through the rite of passage called translation. The problem is that there are many issues to consider in the translation process as the way Han- documentary literature exists is different from ordinary literary works. First of all, there are a lot of e-books of individual works. Yvonne each has the same differences as misalignment, elimination, abbreviation, and extra play. Therefore, it is necessary to select the best version prior to the translation, and based on this, the process of regularizing through a communion needs to be carried out. The following is the question of how far to recognize the boundaries of epic literature. Yadam, which appeared in the late Joseon Dynasty, is a case in point. This is because while Yadam has a collection of works that are highly epic, only some of them are recognized as epic. There is also the question of how to distinguish between works that tend to be novelized and those that exist on the boundary that are not. Lastly, there are many epic literature works that individual researchers and publishers have already translated. With regard to the essay of the current college entrance exam, quite a number of classical epic literature have been translated, and there are a lot of translated works in the interest of individual researchers. There are also cases where a piece has different styles and translations as it is repeatedly translated. In order to solve the difficult problem of translating works of Korean Chinese classics, such as the Korea Institute of Classical Translation is needed, among other If a central institution is established to translate the Chinese classics, we hope that the translation project with consistent policies and long-term prospects can proceed based on a sufficient understanding of the aforementioned issues.