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新历史主义视域下的‘南京大屠杀’叙事 ― 以哈金的《南京安魂曲》为例 ―

Narration of "Nanjing Massacre" from the perspective of New Historicism

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초록

As a historical event in the Second World War, the authenticity of "Nanjing Massacre" is beyond doubt, but the narration of the fact of Nanjing Massacre can be endowed with the narrator's subjective feelings (including values, ideology and interpretation). How to record and express, and how to reproduce such a devastating human disaster, to many novelists, it is difficult to strike a balance between fact and explanation, fact and value. There seems to be a gap between the fictionality of novels and the aim of seeking the truth in history. However, it seems that Ha Jin undertakes the dual responsibility of a historian and a novelist: on one hand, he utilizes the novel as an approach to expose the complexity of the characters' psychology and emotions of daily life; on the other hand, he holds the precise attitude of a "historian", and focuses on a large number of historical materials, retells the history in a "recording" language style. How Harkin overlaps history and literature, how to sublimate history into literature, will be the focus of this paper. Based on Hayden White's theory of historical interpretation, and analysis author's identity value , the characters in the novel, narrative perspective characteristics, this paper attempts to illustrate the current significance of the historical narrative of Nanjing Requiem.

Abstract

As a historical event in the Second World War, the authenticity of "Nanjing Massacre" is beyond doubt, but the narration of the fact of Nanjing Massacre can be endowed with the narrator's subjective feelings (including values, ideology and interpretation). How to record and express, and how to reproduce such a devastating human disaster, to many novelists, it is difficult to strike a balance between fact and explanation, fact and value. There seems to be a gap between the fictionality of novels and the aim of seeking the truth in history. However, it seems that Ha Jin undertakes the dual responsibility of a historian and a novelist: on one hand, he utilizes the novel as an approach to expose the complexity of the characters' psychology and emotions of daily life; on the other hand, he holds the precise attitude of a "historian", and focuses on a large number of historical materials, retells the history in a "recording" language style. How Harkin overlaps history and literature, how to sublimate history into literature, will be the focus of this paper. Based on Hayden White's theory of historical interpretation, and analysis author's identity value , the characters in the novel, narrative perspective characteristics, this paper attempts to illustrate the current significance of the historical narrative of Nanjing Requiem.

참고문헌 (19)

  1. 洪治纲, "集体记忆的重构与现代性的反思-以《南京大屠杀》《金陵十三钗》和《南京安魂曲》为例", 中国现代文献学研究丛刊, (10) (2012)
  2. 单德兴, "战争下的历史-哈金与单德兴对谈", 华文文学 (2012)
  3. 郭全照, "文学如何触摸历史-评《金陵十三钗》《南京安魂曲》中的大屠杀叙事", 中南大学学报(社会科学版), 18(4) (2010)
  4. Hayden White, "Tropics of discourse: Essays in Cultural Criticism" (1987), The Johns Hopkins UP
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  6. Hayden White, "Response to Arthur Marwick", Journal of Contemporary History, 30(2) (1995)
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  14. 哈金, "历史事件中的个人故事", 思想, 16 (2010)
  15. Ha Jin, "Nanjing Requiem" (2010), Vintage Books
  16. 赫伯特, "爱欲与文明-对弗洛伊德思想的哲学探讨" (1987), 上海译文出版社
  17. 吕红, "海外移民文学视点:文化属性与文化身份", 福建论坛(人文社会科学版), (12) (2006)
  18. 翟晶, "边缘世界-霍米巴巴的后殖民理论研究" (2013), 文化艺术出版社
  19. 金永兵, "中国“新历史主义”叙事的模式变迁", 文艺争鸣 (2020)

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