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한국 영화 교육의 국제화에 대한 연구

A Study of Globalization in the Korean Film Education

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The film education in Korea should become globalization. The purpose of this globalization is to create global filmmakers and build an overseas network. At present, the world film production environment requires globalization. We, now, should train manpower of Korean filmmakers in order to deal with globalized film market immediately. This globalization makes it possible to extend Korean filmmakers abroad with ability of global co-production. In addition, building up the future of amicable filmmaker’s network towards Korean films is primarily in Asia, Europe and America. As a result, Korean films will have windows of opportunity to active global co-production and attract more film location shooting in Korea. Furthermore, we expect to undertake post production of global co-production projects and make a significant contribution to Korean film industry in the future. In Hollywood, earning a total income of 60% is in overseas market. In European countries, 70% of films are produced by EU or global co-production. We have to recognize that globalization is integral to the survival of Korean film industry in the long run. We should not look over that globalization not only in film education but in university level of education. As a history shown, film department in universities, KAPA and Film and TV in Karts, remarkable success up to recently, have brought up manpower by now. The globalization will play a significant role in Korean films to step up and it is about time to change in today’s fast-paced film market.

Abstract

The film education in Korea should become globalization. The purpose of this globalization is to create global filmmakers and build an overseas network. At present, the world film production environment requires globalization. We, now, should train manpower of Korean filmmakers in order to deal with globalized film market immediately. This globalization makes it possible to extend Korean filmmakers abroad with ability of global co-production. In addition, building up the future of amicable filmmaker’s network towards Korean films is primarily in Asia, Europe and America. As a result, Korean films will have windows of opportunity to active global co-production and attract more film location shooting in Korea. Furthermore, we expect to undertake post production of global co-production projects and make a significant contribution to Korean film industry in the future. In Hollywood, earning a total income of 60% is in overseas market. In European countries, 70% of films are produced by EU or global co-production. We have to recognize that globalization is integral to the survival of Korean film industry in the long run. We should not look over that globalization not only in film education but in university level of education. As a history shown, film department in universities, KAPA and Film and TV in Karts, remarkable success up to recently, have brought up manpower by now. The globalization will play a significant role in Korean films to step up and it is about time to change in today’s fast-paced film market.

참고문헌 (22)

  1. 송낙원, "포스트 할리우드" (2007), 커뮤니케이션북스
  2. 동아일보, "8250억 들여 세계적 연구대학 만든다", ~ (2008)
  3. 씨네21, "제작사들에 내일의 태양이 뜰까", ~ (2008)
  4. 씨네21, "한·중·일 영화학교 합작 옴니버스 중 <훔쳐보기>(가제) 촬영현장", ~ (2007)
  5. 씨네21, "요코하마 개항 150주년 기념 다큐멘터리 만든 소상민, 김보람, 정연", ~ (2006)
  6. "아시아 엘리트들에게 고급 韓流 이식", 주간동아 (2006)
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  9. "일본 내 한류의 새로운 가능성", 한국영화 동향과 전망 (2008), 영화진흥위원회
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  11. Albert Moran, "Film Policy - International, National and Regional Perspectives" (1996), Routledge
  12. Darcy Paquet, "Korean TV, film powerhouse planned", Variety, ~ (2006)
  13. Nick Vivarelli, "Hope for East-West co-productions", Variety, ~ (2008)
  14. Patrick Frater, "Singapore builds up private cash stash", Variety, ~ (2008)

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