이해조 刪正 판소리의 《매일신보》 연재 양상과 의미

Abstract

A thesis adapted by Lee Haejo in 1912 and made for research aiming at the Okjunghwa(옥중화), Gangsangryeon(강상련), Yeon’uigak(연의각) and Touigan(토의간) which were published serially in the Maeilsinbo which is a newspaper. In this research, the development and meanings of these works were considered. The writer understood that Lee Haejo has not carried Pansori as it was but instead he adapted the work and concentrated on its reason and understanding of the intention for the adaptation. Through this research, the writer can conclude that Lee Haejo had had eliminated the problems that have occurred in the transmission process of Pansori while exhibiting consciousness on its desirable components. In accordance with this conclusion, in order to solve the matters of concern, Lee Haejo had deleted unnecessary parts and added only those that are important in the original work. As a conclusion, through this research, it can be said that Lee Haejo was an individual who, even had had illuminism recognition, had not unconditionally reduced any value from traditional things, otherwise had had preserved their peculiar characteristics. At the same time, the point that Lee Haejo had positively found a way for this work and its readers to meet through various means of understanding, it can be known that Lee Haejo was a person who provided an extensively wide perspective about Pansori and classical novels.