김광균 시의 조형성 형성 과정 재고

Abstract

Kim Kwang Gyun is assessed as a representative poet inheriting modernist poetry in the 1930s. At the same time, a prevalence of critiques regarding his expression techniques embedded with strong "subjective sensitivity" which revealed the limitations of actualizing British-American imagism is currently observed. However, this can be interpreted as a result of overlooking Kim Kwang Gyun's literary vision of "the ideality of the form" or "the cofigurative construction of poetry" which he pursued. It is recognized that Kim Kwang Gyun had the opportunity to socialize with the modern group of artists through Kim Ki Rim's introduction, and in the process, he implictly acquired the poetic transfiguration of modern poetry. However, no clear arrangement has been made in the time period in which poems such as "Pale Composition,"(1933) "Afternoon Composition,"(1935) and "Village of Foreigners,"(1939) which are regarded as the starting point for the revelation of configurative traits, were drafted or made public, or in the estimated time period in which Kim Kwang Gyun met Kim Ki Rim. This study explains the characteristics of the configurative  nature revealed in Kim Kwang Gyun's poem in the asepcts of generative orgin, and at the same time spotlights the impetus for the pictorial esthetics which Kim Kwang-kyun benefited from. Through conducting a review for errors in existing data, the inflection point of the poetic transformation process is clarified, and the relationship between the pictorical esthetics and art pieces of that era is explained. In addition, the study will scrutinize the "impressionist art view" obtained spontaneously from the Gunsan period.