신라 불교문학에서 기원(祈願)과 회향(廻向)의 문제

Abstract

I would like to re-interpret the prayer of opening the eyes of the author of the Hyangga Docheonsugwaneumga in light of the virtue of parinaamana as a practice of mercy in Gwaneum faith. The clue will be the Baekhwadoryangbalwonmun and related tales that Uisang met Avalokitesvara. The costumes also played an important role in the founding narrative of each Gwaneum and Hwaeom Doryang, such as Naksansa Temple and Buseoksa Temple, to the objects of the native faith called dragons in the East Sea. Here, the idea that power is given to the place where the bamboo rises also expanded to the scope of music and literature through the Manpasic narrative. Through the role of Gwaneum and related elements, it was intended to have a wide influence on various practical elements of Silla culture. In Baekhwadoryangbalwonmun, a speaker who faces Gwaneum's mirror and finally escapes his weakness appears. This corresponds to the situation in which the speaker facing Gwaneum's painting in Docheonsugwaneumga is relieved of the blind state. Here, the thousand hands and eyes were intended to save the people, and in particular, it was emphasized repeatedly in the text and notes that the Bodhisattva of Gwaneum first originated and all the people headed toward each other. In records and praise related to Docheonsugwaneumga, the situation of 'a 5-year-old child blind' was regarded as a religious metaphor and the contents of the original text were noted. Thus, I was able to recall the step-by-step growth process and a wide range of practices ranging from obscurity, brightness, and enlightenment. This is an interpretation that can be sufficiently expanded without denying the primary role of this myth of curing diseases. Docheonsugwaneumga also has a child's way of speaking and thinking. On the one hand, it is seen as a grouch, but he also prayed that he wanted to grow into a symbol of mercy comparable to that of Avalokitesvara by gaining the eyes of Avalokitesvara and the practical solemnity of mercy that cannot be missed by a single person.