최승희의 무대 분장과 색조화장의 비교분석에 관한 연구 -1930∼40년대를 중심으로-
A Study on the Comparative Analysis of Choi Seunghee's Stage Makeup and Color makeup -In the 1930s and 40s-
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Based on Choi Seung-hee's world of work, this study analyzed the characteristics of stage makeup, an important language that represents the artist's worldview and the mission of the times, and examined differences from everyday makeup. In Analysis I, research was conducted focusing on Japanese colonial era activities at home and abroad during the first half of his activities, and in Analysis II, his activities in North Korea after liberation. The world of Choi Seung-hee's work, which emphasized harmony of good, colorful colors, and static beauty through inheritance and transformation of tradition, is also shown in various ways through the characteristic aspects of stage makeup. The characteristic aspect of modern dance makeup, which is the main feature of the early stage, embraces much of the characteristic aspects of Japanese kabuki. However, Choi Seung-hee's world of work was reinterpreted based on the unique traditional dance of Asian countries, so the sculptural features were slightly different in stage makeup depending on the theme. Choi Seung-hee's fashion and makeup methods, which were admired as a trend symbol in Japan as well as Joseon, seem to have been influenced by Western makeup methods. However, for new women, makeup was an expression of one's willingness to reject patriarchal practices and function as an independent person and a member of society, so Choi Seung-hee's makeup was more than just a pursuit of beauty.
Abstract
Based on Choi Seung-hee's world of work, this study analyzed the characteristics of stage makeup, an important language that represents the artist's worldview and the mission of the times, and examined differences from everyday makeup. In Analysis I, research was conducted focusing on Japanese colonial era activities at home and abroad during the first half of his activities, and in Analysis II, his activities in North Korea after liberation. The world of Choi Seung-hee's work, which emphasized harmony of good, colorful colors, and static beauty through inheritance and transformation of tradition, is also shown in various ways through the characteristic aspects of stage makeup. The characteristic aspect of modern dance makeup, which is the main feature of the early stage, embraces much of the characteristic aspects of Japanese kabuki. However, Choi Seung-hee's world of work was reinterpreted based on the unique traditional dance of Asian countries, so the sculptural features were slightly different in stage makeup depending on the theme. Choi Seung-hee's fashion and makeup methods, which were admired as a trend symbol in Japan as well as Joseon, seem to have been influenced by Western makeup methods. However, for new women, makeup was an expression of one's willingness to reject patriarchal practices and function as an independent person and a member of society, so Choi Seung-hee's makeup was more than just a pursuit of beauty.
참고문헌 (34)
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