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사이버네틱스 관점에서 본 넷 아트에 나타난 의미론적 분석

A Semantics Analysis in the Net Arts from a Cybernetics Perspective

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Arts gains a new relation as the new academic area that deals with living organisms and through this technology, it affects everything, such as the body, entity, consciousness and unconsciousness to bring an overall change. Based on this premise, arts require a different interpretation from the previous product-focused interpretation or the analysis focusing on the aesthetics. As the result of arts using the scientific methods, I examined the changes of the arts semantics and how it evolved with what kind of contents and characteristics. The net art with the internet base also form a close relationship with the social and cultural codes. In categorizing the social issues and the topical discussions with semantic factors that evolve from the digital biological perspective, it can be divided into four types of complex interaction, positive feedback negative feedback, and amplification of unsettledness. Based on the characteristics of the multimedia and the interactive reaction, the technique and the imagery amplify the message through a spatial and timely meeting in a mutual repletion. In other words, the emotional communication is used to attempt the messages from the products and the expression in various methods.

Abstract

Arts gains a new relation as the new academic area that deals with living organisms and through this technology, it affects everything, such as the body, entity, consciousness and unconsciousness to bring an overall change. Based on this premise, arts require a different interpretation from the previous product-focused interpretation or the analysis focusing on the aesthetics. As the result of arts using the scientific methods, I examined the changes of the arts semantics and how it evolved with what kind of contents and characteristics. The net art with the internet base also form a close relationship with the social and cultural codes. In categorizing the social issues and the topical discussions with semantic factors that evolve from the digital biological perspective, it can be divided into four types of complex interaction, positive feedback negative feedback, and amplification of unsettledness. Based on the characteristics of the multimedia and the interactive reaction, the technique and the imagery amplify the message through a spatial and timely meeting in a mutual repletion. In other words, the emotional communication is used to attempt the messages from the products and the expression in various methods.

참고문헌 (15)

  1. 송민정, "디지털미디어와 콘텐츠의 이해", pp.292~ (2003), 진한M&B
  2. 홍성태, "사이보그ㆍ사이버컬처", pp.10~ (1997), 문화과학사
  3. 디지털생물학관점에서 본 넷 아트에 관한연구, "이승환", 한양대학교 대학원, 45~ (2005)
  4. Michael Rush, "미디어아트", pp.69~ (2001), 시공사
  5. 신방흔, "디지털과 미디어아트", pp.117~ (2001), 경희대학교 현대미술연구소
  6. Shoshana Felman, "Turning the screw of interpretaation’ in S, Felman(ed), Literature and Psychoanalysis: The Question of Reading", pp.164~ (1992), Otherwise(Baltimore: Johns Hopkins University Press
  7. Frank Popper, "L’art a l’age electronique", pp.80~, Hazan
  8. Frank Popper, "L’art a l’age electronique", pp.96~, Hazan
  9. 신방흔, "디지털과 미디어아트", pp.118~120 (2001), 경희대학교 현대미술연구소
  10. 신방흔, "디지털과 미디어아트", pp.141~142 (2001), 경희대학교 현대미술연구소

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