미디어아트로서의 인공생명예술에 관한 연구 - 기계 개념 및 기계 미학을 중심으로
A Study on the Artificial Life Art as Media Art - Centered on the Concept of Machine and Aesthetic of Machinic
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Defining media art that presented various experimental forms is difficult. Thus the question should be changed to how do media art action or work? The aesthetics of machinic from which Deleuze's concept of 'machine' is an another aproach to understand media art. In this paper, we approach to an unusual artistic practice of media art such as artificial life art through the aesthetic of machinic that imported the sublime. We also present the accessibility about problem of aesthetic of everyday life through some of artificial life artwork. The aesthetic of machinic of media art invite the author-spectator-artwork to the 3rd space.
Abstract
Defining media art that presented various experimental forms is difficult. Thus the question should be changed to how do media art action or work? The aesthetics of machinic from which Deleuze's concept of 'machine' is an another aproach to understand media art. In this paper, we approach to an unusual artistic practice of media art such as artificial life art through the aesthetic of machinic that imported the sublime. We also present the accessibility about problem of aesthetic of everyday life through some of artificial life artwork. The aesthetic of machinic of media art invite the author-spectator-artwork to the 3rd space.
참고문헌 (10)
- Andreas Broeckmann, "Image, Process, Performance, Machine: The Aspects of an Aesthetics of the Machinic. in Media Art Histories" (2007), MIT Press
- Philip Galanter, "What is Generative Art? : Complexity Theory as a Context for Art Theory" (2003), New York University
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- 크리스티안 폴, "디지털 아트" (2007), 시공아트
- 김진엽, "인공생명과 예술", 인문논총, (58), pp.115~142 (2007), 인문학연구원[DOI]
- 박상현, "제너레티브 아트 필립 - 갈란터의 형식적 분류에 대한 반론을 중심으로 -", 커뮤니케이션디자인학연구, 31, pp.82~91 (2009), 커뮤니케이션디자인협회커뮤니케이션디자인학회